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The Film Biker (2000)
$15.00Gregory (Piolo Pascual) bikes his way through the streets of Manila and transports film reels from one theater to another giving “extra service” to its patrons. He lives with his grandfather (Koko Trinidad) whose dementia worries Gregory, but whose stories on local movies—being friends with Rogelio dela Rosa, Carmen Rosales, Leopoldo Salcedo, and other film stars—fill him with inspiration.
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Afro Promo (1997)
$15.00A series of thirty-two trailers put together to illustrate the film industry’s attitude to and packaging of African-American screen imagery.
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Public Enemies (2009)
$15.00Depression-era bank robber John Dillinger’s charm and audacity endear him to much of America’s downtrodden public, but he’s also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.
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I’m Glad My Mother Is Alive (2009)
$15.00This finely acted, delicate and provocative new film by one of France’s most impressive filmmakers—working here with his son, Nathan—depicts the troubled life of an adopted boy who, as a taciturn adult, visits his birth mother and strikes up a relationship fraught with tension and emotion.
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The Celluloid Closet (1996)
$15.00This documentary highlights the historical contexts that gays, lesbians, bisexuals and transgenders have occupied in cinema history, and shows the evolution of the entertainment industry’s role in shaping perceptions of LGBT figures. The issues addressed include secrecy – which initially defined homosexuality – as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.
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Embracing Chaos: Making the African Queen (2010)
$15.00A documentary about the making of John Huston’s ‘The African Queen’.
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Living in Oblivion (1995)
$15.00Film about filmmaking. It takes place during one day on set of non-budget movie. Ultimate tribute to all independent filmmakers.
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Tin Tan (2010)
$15.00Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.
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Barton Fink (1991)
$15.00A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
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Natan (2013)
$15.00Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema. He took control of the Pathe film group in the late 1920s and went on to produce epic films such as Les Miserables. But Natan has become largely written out of French film history for various different reasons. I will not go into details here as the story is an excellent one, suffice to say that his ethnicity and subsequent rumours plagued Natan almost from the start of his career. His ‘comeuppance’ for his alleged transgressions is at the heart of this devastating documentary.
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The Blob (1988)
$15.00Remake of the 1958 horror sci-fi about a deadly blob which is the spawn of a secret government germ warfare project which consumes everyone in its path. Teenagers try in vain to warn the townsfolk, who refuse to take them seriously, while government agents try to cover up the evidence and confine the creature.
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