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Cinemania (2002)
This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. The filmmakers expose this delightfully deranged cult by capturing the daily lives of its members. Interviews in movie houses, on the street and in the homes of the subjects tell the story of each individual. Many cannot hold a job, or choose not to. All of them have demoted the importance of the real world, giving all of their attention to the fantasy world of the movies. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. Many have no physical sex lives, living instead in a world of romance with stars like James Dean or Audrey Hepburn. This is the story of their lives, their memories, their unbending habits and the films they love.
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Schlock! The Secret History of American Movies (2001)
You’ve heard of Hollywood, a town of tinsel and glamour, the town of Paramount, Columbia and MGM. But there is another Hollywood, a place where maverick independent EXPLOITATION FILMMAKERS went toe to toe with the big guys and came out on top!
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The Film Biker (2000)
Gregory (Piolo Pascual) bikes his way through the streets of Manila and transports film reels from one theater to another giving “extra service” to its patrons. He lives with his grandfather (Koko Trinidad) whose dementia worries Gregory, but whose stories on local movies—being friends with Rogelio dela Rosa, Carmen Rosales, Leopoldo Salcedo, and other film stars—fill him with inspiration.
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Afro Promo (1997)
A series of thirty-two trailers put together to illustrate the film industry’s attitude to and packaging of African-American screen imagery.
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Public Enemies (2009)
Depression-era bank robber John Dillinger’s charm and audacity endear him to much of America’s downtrodden public, but he’s also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.
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I’m Glad My Mother Is Alive (2009)
This finely acted, delicate and provocative new film by one of France’s most impressive filmmakers—working here with his son, Nathan—depicts the troubled life of an adopted boy who, as a taciturn adult, visits his birth mother and strikes up a relationship fraught with tension and emotion.
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The Celluloid Closet (1996)
This documentary highlights the historical contexts that gays, lesbians, bisexuals and transgenders have occupied in cinema history, and shows the evolution of the entertainment industry’s role in shaping perceptions of LGBT figures. The issues addressed include secrecy – which initially defined homosexuality – as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.
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Embracing Chaos: Making the African Queen (2010)
A documentary about the making of John Huston’s ‘The African Queen’.
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Living in Oblivion (1995)
Film about filmmaking. It takes place during one day on set of non-budget movie. Ultimate tribute to all independent filmmakers.
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Tin Tan (2010)
Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.
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