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Blonde Bait (1956)
Seeking the whereabouts of international gangster Nick Randall, the US State Department contacts Scotland Yard, as his girlfriend, Angela Booth, is currently in a British prison. Angela has refused to give Nick up to the law, so the combined authorities arrange for Angela to escape, aided by stoolie Gran’ Ramsey who is at the same prison. The police will then follow Angela to Nick. Gran’ stages the getaway, and the two women, accompanied by a third convict, Marguerite, whose prison-born baby is about to be turned over to welfare authorities. It is up to Gran’ to keep the police informed of Angela’s movements without being detected by the escapees, until Angela contacts Nick. This film is a reworking of principal footage from the UK film WOMEN WITHOUT MEN (1955), q.v., which, with added new footage (including scenes with original star Beverly Michaels), significantly revises the plot and central characters from a story about a wrongly imprisoned waif to one about a gangster’s moll.
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Mesa of Lost Women (1953)
A mad scientist, Dr. Aranya (Jackie Coogan), has created giant spiders in his Mexican lab in Zarpa Mesa to create a race of superwomen by injecting spiders with human pituitary growth hormones. Women develop miraculous regenerative powers, but men mutate into disfigured dwarves. Spiders grow to human size and intelligence.
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One Too Many (1950)
A once-famous concert pianist has had her career ruined by her alcoholism. Her husband and a member of Alcoholics Anonymous try to help her recover.
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Pier 23 (1950)
Pier 23 was one of three hour-long mysteries produced by Lippert Productions for both TV and theatrical release. Each of the three films was evenly divided into two half-hour “episodes,” and each starred Hugh Beaumont as San Francisco-based amateur sleuth Dennis O’Brien. In Pier 23, O’Brien first tackles the case of a wrestler who has died of a suspicious heart attack after refusing to lose a match. He then agrees to help a priest talk an escaped criminal into returning to prison. The film’s two-part structure leads to repetition and predictability, but it’s fun to watch TV’s “Ward Cleaver” making like Philip Marlowe.
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Waterfront at Midnight (1948)
Hoping to put the cuffs on criminal mastermind Socks Barstow (Richard Travis), detective Mike Hanrohan (William Gargan) is stymied by the fact that his younger brother Denny (Richard Crane) has joined Barstow’s gang. Things get worse after a bloody shootout, in which Mike apparently guns down his own brother.
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Backlash (1947)
In a series of flashbacks, shows that attorney John Morland (John Eldredge) has given a lift to a hitchhiker (Douglas Fowley) who turns out to be a murderer. As a result, Morland himself is implicated in a killing. A pair of detectives discover that Morland has been having business problems and no end of difficulties with his wife Catherine. The trail of clues leads to a surprising revelation.
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The Man Who Came to Dinner (1942)
Lecturer Sheridan Whiteside slips on the ice on his way into the home of a prominent Ohio family. The Dr. says Whiteside must remain confined having broken his leg. He begins to meddle with the lives of everyone in the household and, once his plots are underway, learns there is nothing wrong with his leg. He bribes the doctor. The owner discovers the fraud, but Whiteside blackmails him (he finds out that the owner’s sister is an axe murderer) and resumes control.
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Mask of the Dragon (1951)
A private eye (Richard Travis) and his girlfriend (Sheila Ryan) avenge his buddy, stabbed over a jade dragon.
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Busses Roar (1942)
A sergeant (Richard Travis) saves the day when Axis agents plant a bomb on a bus bound for California oil fields.
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The Postman Didn’t Ring (1942)
Stolen way back in 1880, a sack of United States mail is discovered in an old attic in 1942. The letters are finally delivered, profoundly affecting the lives of the recipients.
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Truck Busters (1943)
An independent truck driver organizes his fellow truckers to resist the efforts of a crooked trucking company exec to bring all drivers under his control. When the trucker’s brother dies in an “accident” arranged by the trucking company’s henchmen, he takes matters into his own hands
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