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Meet the Fockers (2004)
$15.00Hard-to-crack ex-CIA man, Jack Byrnes and his wife, Dina head for the warmer climes of Florida to meet son-in-law-to-be, Greg Focker’s parents. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
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House of D (2005)
$15.00An American artist living a bohemian existence in Paris, Tom Warshaw (David Duchovny) is trying to make sense of his troubled adult life by reflecting upon his extraordinary childhood.
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Showtime (2002)
$15.00A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based T.V. cop show.
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15 Minutes (2001)
$15.00When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show “Top Story.”
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Meet the Parents (2000)
$15.00Greg Focker is ready to marry his girlfriend, Pam, but before he pops the question, he must win over her formidable father, humorless former CIA agent Jack Byrnes, at the wedding of Pam’s sister. As Greg bends over backward to make a good impression, his visit to the Byrnes home turns into a hilarious series of disasters, and everything that can go wrong does, all under Jack’s critical, hawklike gaze.
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The Adventures of Rocky & Bullwinkle (2000)
$15.00Rocky and Bullwinkle have been living off the finances made from the reruns of their cartoon show. Boris and Natasha somehow manage to crossover into reality and team up with Fearless Leader, an evil criminal turned media mogul with some evil plans up his sleeve. Rocky and Bullwinkle must stop the three of them before they wreak havoc.
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Entropy (1999)
$15.00Entropy is the semi-autobiographical film by director which tells the story of a young director struggling to make a film for a despotic studio while his life falls apart around him. Along the way, he goes on tour with U2 to help them make a music video, gets married in Vegas, and has a conversation with his cat.
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Analyze This (1999)
$15.00Countless wiseguy films are spoofed in this film that centers on the neuroses and angst of a powerful Mafia racketeer who suffers from panic attacks. When Paul Vitti needs help dealing with his role in the “family,” unlucky shrink Dr. Ben Sobel is given just days to resolve Vitti’s emotional crisis and turn him into a happy, well-adjusted gangster.
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Wag the Dog (1997)
$15.00During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President’s adviser hires a Hollywood producer to help him stage a fake war.
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Marvin’s Room (1996)
$15.00A leukemia patient attempts to end a 20-year feud with her sister to get her bone marrow.
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The Night We Never Met (1993)
$15.00Sam has a problem with his roommates: they are disgusting, and don’t seem to share his views on responsibility, privacy, and basic hygine. Such is his discomfort with his living arrangements that he agrees to share the occupancy of another flat: he gets two nights a week, the owner (a sleazy frat-boy yuppie named Brian, soon to be married) and Ellen (a would-be painter seeking relief from her boring marriage) each get their seperate nights in the flat. Things go extremely well until Sam and Brian swap nights without telling Ellen, who attributes the “nice” things that happen around the place to the slob Brian, while berating the responsible Sam for his hedonistic lifestyle.
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Mistress (1992)
$15.00A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.
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