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27 Down (1974)
$25.00Sanjay wanted to study art, but his domineering father, an engine-driver in retirement after a crippling injury, insisted that a railway job, with its security, was the best thing for him. So Sanjay ended up as a train conductor, unhappy with the career forced upon him, and the mechanical, meaningless life that he lives. In the course of his duty on the train, he runs into a working girl, Shalini and feels attracted to her. His father hears about his interest in Shalini, strongly disapproves of it and intervenes in Sanjay’s life once again. Unable to stand up to his father, Sanjay soon finds himself married to a village girl. Life becomes even more unbearable for Sanjay. He takes to wandering and seeks comfort in drink and brothels. One final chance comes his way to break loose from his shackles and plan a new life with Shalini.
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His Daily Bread (1969)
$25.00The film depicts the life of a truck driver Sucha Singh and his wife Balo. Balo has to get Sucha Singh’s food ready every day, walk a long distance through the fields and wait for him on the highway as he drives past the village. He leads an independent life, playing cards with his friends and spending time with his mistress, and comes home only once a week. However, he expects his wife to play the traditional role of a devoted wife. One day Balo gets late, trying to save her sister from the advances of a lecherous villager. Sucha Singh is angry, and drives away without his food. She decides to wait for him until nightfall.
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Don’t Cry For Salim, the Lame (1989)
$25.00Salim has been born lame, and lives with his mom, dad, and a sister who is old enough to be married. He and his dad search around for a suitable groom for her, and he meets Aslam. Salim rejects Aslam, as Aslam is not making enough wages that are commensuerate with his qualifications. Salim meets with some gangsters, who promise him that they will make him rich soon, and all he has to do is incite religious riots, pitting Hindus against the Muslims, and he will be well rewarded. Salim has always wanted to be rich, but will he take this opportunity to be wealthy
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Suddenly, One Day (1989)
$25.00Shasanka (Sreeram Lgoo) is a retired teacher who lives with his wife and two daughters. The family is thrown into an uproar after he goes out for a walk and disappears from their lives. Each member of the family reviews her final hours and days with him to try and discover what, if anything led to his disappearance. The only clue anyone is able to discover is an envelope on which is written the name of one of his former students. When they visit her, however, she is unable (or unwilling) to enlighten them. Why did he go for a walk during a heavy rainstorm? Where did he go? Bengali filmmaker Mrinal Sen isn’t saying.
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The Gaze (1990)
$25.00Based on Fyodor Dostoyevsky’s “The Meek One”, Nazar is the saga of a Bombay-based antique dealer-cum-money lender (Shekhar Kapur), who at the age of 40, marries a woman (Shambhavi Kaul) who is 17, and brings her home to his spacious flat in a multi-storied building with a magnificent view. Their marriage is not a happy one, even though he hopes it will get better. But the bride, who had until her wedding lived her life in an orphanage, is immersed in her own thoughts, and at one point even holds a revolver against her husband’s head while he slept. The film explores their complex life in a manner unusual for Indian cinema.
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The Weight of Cotton (1997)
$15.00The story revolves around a self-respecting, wise old Indian man, who decides to divide his wealth and property among his sons and then let them take care of them. But all doesn’t go according to his plans as his sons don’t want to take his responsibility and things start going downhill for the family from there. It’s a journey of old-age, family values, love and respect for your family and responsibility.
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The Black Garment (2002)
$15.00Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana’s loneliness and despair get objectified in her desire for a ‘salwaar’ that she needs to complete her black ensemble for the observance of mourning for Moharram.
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