Milk & Honey Pictures

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    Anne Frank: The Whole Story
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    Anne Frank: The Whole Story

    Anne Frank: The Whole Story is a two-part mini-series based on the book Anne Frank: The Biography by Melissa Müller. The mini-series aired on ABC on May 20 and 21, 2001. The series starred Ben Kingsley, Brenda Blethyn, Hannah Taylor-Gordon, and Lili Taylor. Controversially, but in keeping with the claim made by Melissa Müller, the series asserts that the anonymous betrayer of the Frank family was the office cleaner, when in fact the betrayer’s identity has never been established. A disagreement between the producers of the mini-series and the Anne Frank Foundation about validity of this and other details led to the withdrawal of their endorsement of the dramatization, which prevented the use of any quotations from the writings of Anne Frank appearing within the production. Hannah Taylor-Gordon received both Golden Globe and Emmy Award nominations for her performance as Anne Frank, while Ben Kingsley won a Screen Actor’s Guild Award for his performance as Otto Frank, Anne’s father.

    $30.00
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    Frank Herbert's Dune
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    Frank Herbert’s Dune

    Frank Herbert’s Dune is a three-part miniseries written and directed by John Harrison and based on Frank Herbert’s 1965 novel Dune.

    The series was produced by New Amsterdam Entertainment, Blixa Film Produktion and Hallmark Entertainment Distribution. It was first broadcast in the United States on December 3, 2000, on the Sci Fi Channel, just two months after what would have been Herbert’s 80th birthday. It was later released on DVD in 2001, with a director’s cut appearing in 2002.

    A 2003 sequel miniseries called Frank Herbert’s Children of Dune continued the story, adapting the second and third novels in the series. As of 2004, both miniseries were two of the three highest-rated programs ever to be broadcast on the Sci Fi Channel.

    Frank Herbert’s Dune won two Emmy Awards in 2001 for Cinematography and Visual effects in a miniseries/movie, as well as being nominated for a third Emmy for Sound editing. The series was also praised by several critics, including Kim Newman.

    The miniseries was shot in Univisium aspect ratio, although it was broadcast in 1.78:1.

    $4.00
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