Como Film

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    Trans-Europ-Express (1966)

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    Trans-Europ-Express (1966)

    A film director, Jean, his producer, Marc, and his assistant, Lucette, board the Trans-Europ-Express in Paris bound for Antwerp. Once in their compartment it occurs to them that the drama of life aboard the train presents possibilities for a film, and they begin to write a script about dope smuggling. Subsequently, they see actor Jean-Louis Trintignant walking through the station. As seen through the eyes of Jean, Marc, and Lucette, Trintignant becomes Elias, the chief character in the script. Elias is going to Antwerp to pick up a suitcase of cocaine for delivery to an international organization based in Paris.

    PKR 250
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    Istanbul (1964)

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    Istanbul (1964)

    All of Pialat’s Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat’s Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

    PKR 250
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