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The Flirting Widow (1930)
$25.00A stern father insists his older daughter must have a husband first before her younger sister can marry, so the elder sibling creates a fictitious fiancé, who she then announces has been killed. No one is more surprised than older sis, however, when her dead, imaginary sweetheart comes knocking at the door. Comedy.
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Too Many Cooks (1931)
$25.00A young couple, soon to wed, begin building their dreamhouse, but their interfering relatives cause no end of trouble. Comedy.
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Hello, Everybody! (1933)
$25.00The setting is a farm. Kate Smith and Sally Blane play sisters; assorted relatives live with the sisters, but everyone at home, and in the whole town, depends on Kate to hold everything together. The power company wants to build a dam which will require flooding many of the farms; Kate is holding out; if Kate sells, everyone else will sell; if Kate refuses, the rest of the town will refuse as well. Randolph Scott meets Kate’s beautiful sister, Sally Blane, at a dance. Randolph Scott, as it turns out, is an agent for the power company. Kate thinks he’s just using Sally; Sally believes that he truly likes her. Randolph comes to the farm and appears to woo Kate. Kate remains unconvinced about selling out, but falls for Randolph.
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Chance at Heaven (1933)
$25.00A young bride thinks she’s landed the perfect husband until he falls for a spoiled-rotten socialite. Director William Seiter’s 1934 troubled-marriage drama stars Ginger Rogers, Joel McCrea, Marian Nixon, Andy Devine, Ann Shoemaker, Betty Furness, Virginia Hammond and Lucien Littlefield.
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The Moon’s Our Home (1936)
$25.00A writer and an actress meet and marry without really knowing each other–they are even unaware that both bride and groom are equally famous. During the honeymoon, all hell breaks loose as a comedic war of the sexes leads inevitably to love.
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Three Blind Mice (1938)
$25.00Three sisters take their small inheritance and move from Kansas to California in search of rich husbands. To start with Pamela poses as a socialite and Moira and Elizabeth pretend to be her staff.
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Up in Central Park (1948)
$25.00A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.
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Destroyer (1943)
$25.00Flagwaving story of a new American destroyer, the JOHN PAUL JONES, from the day her keel is laid, to what was very nearly her last voyage. Among the crew, is Steve Boleslavski, a shipyard welder that helped build her, who reenlists, with his old rank of Chief bosuns mate. After failing her sea trials, she is assigned to the mail run, until caught up in a disparate battle with a Japanese sub. After getting torpedoed, and on the verge of sinking, the Captain, and crew hatch a plan to try and save the ship, and destroy the sub.
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Appointment for Love (1941)
$25.00Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the two having separate apartments. Andre then tries to make his wife jealous in order to lure her into his bedroom.
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Peach-O-Reno (1931)
$25.00After a quarrell at their 25th wedding aniversery, Joe and Aggie Bruno decide to divorce each other, and both leave for Reno. So do their daughters Prudence and Pansy, but they want to get their parents back to gether. Joe and Aggie, accidentally, are becoming clients at the same lawfirm, Wattles and Swift, which is the biggest and most succesful in town. But being on the opposide sides in the same case is not the only problem for Wattles and Swift, the cocurring lawfirm Jackson, Jackson, Jackson and Jackson, has started a price war and one of its member has just been appointed judge, furthermore, there’s Ace Crosby, whose ex-wife got her divorce with the help of Wattles and Swift, who vowed to shoot Wattles for this. Wattles disguises as widow Hanover, Joe’s co-respondent. Crosby, waiting at the office-turned-casino, wins too much at the pokertable, so Wattles tries to lure him away…
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That Night with You (1945)
$25.00In this musical comedy, a young singer becomes so desperate to appear on Broadway that she goes to a prominent producer and tells him that she is the daughter who resulted from his day-long marriage to a young woman he knew years ago. The producer is delighted and soon puts his daughter up on stage. The trouble begins when the girl’s “mother” suddenly pays a call. For her own reasons, the woman decides to play along with the girl’s ruse. Fortunately, by the story’s end, the truth is revealed, all differences are reconciled and happiness ensues.
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