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The Cat (1971)
$25.00Courbevoie (France), 1971. Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence’s anger.
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Septembre Chilien (1973)
$25.00Bruno Muel’s documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.
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Term of Trial (1962)
$25.00Weir, an alcoholic schoolteacher, whose criminal record for refusing to fight during the Second World War has prevented him from progressing further in his teaching career, is looked upon with disdain by his headmaster, his pupils and even his wife. The one person who appreciates his shyness and warmth is one of his pupils, Shirley Taylor. After Weir offers to give her free private tuition, the pupil slowly falls in love with her teacher leading to accusations of molestation.
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Ship of Fools (1965)
$25.00Passengers on a ship traveling from Mexico to Europe in the 1930s represent society at large in that era. The crew is German, including the ship’s Dr. Schumann, who falls in love with one of the passengers, La Condesa. A young American woman, Jenny, is traveling with the man she loves, David. Jenny is fascinated and puzzled by just who some of the other passengers are.
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The Burned Barns
$25.00The body of a young woman is discovered near a farm. The judge Larcher is in charge and thinks that the farmers (Rose and Pierre) have a link with the murder.
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The Witches of Salem
$25.00Salem, 1692. Industrious farmer, John Proctor, has twice made love to 17-year-old Abigail, a youth he and his wife have taken in. (His wife Elisabeth has rebuffed him for seven months; she is puritanical and cold.) When she finds John and Abigail embracing, she sends the lass from her home and John, feeling damned, agrees. Abigail vows revenge. Her chance comes when she accuses Elisabeth of witchcraft and manipulates younger girls to support her claims of seeing spirits. The town’s minister and politicians want a cause: ridding the town of witchcraft is the ideal repression.
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