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Laamb (2013)
The rules are simple in Senegalese wrestling: First man down, loses. The sport derives from ritual manhood trials and has developed into a national sport with packed stadiums and huge prizes. Today, the fight is supplemented with bare knuckle boxing but without any protection. The 22-year-old cattle herder Ndoff has been chosen to compete in an annual talent event in Dakar, and faces a possible breakthrough as a pro wrestler. LAAMB is the story of a sport filled with myths and extreme voodoo rituals, and a modern tale about fighting one’s way out of poverty.
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African Metropolis (2014)
The vitality of the African city has provided local filmmakers with a rich array of stories for their films. African Metropolis presents six short films that examine the complexity of urban life in Abidjan, Cairo, Dakar, Johannesburg, Lagos and Nairobi. They run the gamut of genres, but in all the central character is the city itself. A Jewish pensioner lives alone in a Johannesburg apartment, the last resident of an ever-changing city. In a Nairobi of the future, one man searches for the girl of his dreams. Dakar is the backdrop to an intimate conversation between two women. Abidjan once played host to the American artist Jean-Michel Basquiat. In Cairo a musician sees the gap between rich and poor expand. And a final film confronts the perils of the poverty trap.
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The Revolution Won’t Be Televised (2016)
When President Abdoulaye Wade wanted to run for office yet again in 2011, a resistance movement formed on the streets. Shortly afterwards, a group of school friends, including rappers Thiat and Kilifeu, set up “Y’en a marre” (“We Are Fed Up”), with filmmaker Rama Thiaw soon coming on board to start documenting events – meetings, campaigns, arrests, concerts, states of exhaustion, trips – from an “insider” perspective. Over several years, a stirring portrait emerged of a youth protest movement to whom independent observers were not the only ones to ascribe the role of “kingmaker” in the last elections. Rama Thiaw shows the rappers and their environment with an intimacy whose cinematographic finesse provides space and context for the thorny conflicts between music and politics, street and state.
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The Price of Forgiveness (2001)
Mythical story about a fishing village on the south coast of Senegal. Two men in the village are both in love with the same beautiful girl.
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The Making of Yaaba (1989)
Djibril Diop Mambéty followed and filmed the shooting of Yaaba, Idrissa Ouédraogo’s second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.
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Faat Kiné (2001)
A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field.
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Karmen Gei (2001)
Bizet’s Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.
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The Pirogue (2012)
Baye Laye is the captain of a fishing pirogue. Like many of his Senegalese compatriots, he sometimes dreams of new horizons, where he can earn a better living for his family. When he is offered to lead one of the many pirogues that head towards Europe via the Canary Island, he reluctantly accepts the job, knowing full-well the dangers that lie ahead. Leading a group of 30 men who don’t all speak the same language, some of whom have never seen the sea, Baye Laye will confront many perils in order to reach the distant coasts of Europe.
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