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The Little Foxes (1941)
The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she’s cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be – her mother or her aunt? Or can she escape the fate of both?
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The Westerner (1940)
Drifter Cole Harden is accused of stealing a horse and faces hanging by self-appointed Judge Roy Bean, but Harden manages to talk his way out of it by claiming to be a friend of stage star Lillie Langtry, with whom the judge is obsessed, even though he has never met her. Tensions rise when Harden comes to the defense of a group of struggling homesteaders who Judge Bean is trying to drive away.
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The Real Glory (1939)
In the wake of the Spanish-American war, military doctor Bill Canavan (Cooper) arrives at a war-torn Filipino outpost. Infested with cholera and under attack from a vicious local Moro chieftain, the troops are terrified and their commanding officer has all but given up hope. Outnumbered and out of supplies, Canavan decides to trade his scalpel for a rifle and rally the few remaining troops into one last stand before the outpost and everyone inside becomes just another footnote in history.
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The Cowboy and the Lady (1938)
Mary Smith decides after a lifetime of being a shut-in to do something wild while her father is out campaigning for the presidency, so she takes off for the family’s home in West Palm Beach and inadvertently becomes romantically entangled with earnest cowboy Stretch Willoughby. Neither the dalliance nor the cowboy fit with the upper class image projected by her esteemed father, forcing her to choose.
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The Goldwyn Follies (1938)
Movie producer chooses a simple girl to be “Miss Humanity” and to critically evalute his movies from the point of view of the ordinary person.
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The Hurricane (1937)
The Hurricane is a 1937 film set in the South Seas, directed by John Ford and produced by Samuel Goldwyn, about a Polynesian who is unjustly imprisoned. The climax features a special effects hurricane. It stars Dorothy Lamour and Jon Hall, with Mary Astor, C. Aubrey Smith, Thomas Mitchell, Raymond Massey, and John Carradine. James Norman Hall, Jon Hall’s uncle, co-wrote the novel of the same name on which The Hurricane is based. As a passenger ship sails by a bleak, deserted island, Dr. Kersaint (Thomas Mitchell) blows his former home a kiss. When a fellow passenger asks him about the place, he tells its tragic story, segueing into a flashback.
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Woman Chases Man (1937)
A pretty architect (Miriam Hopkins) devises a wild scheme to convince handsome millionaire Joel McCrea to fund a new housing development project. Director John Blystone’s 1937 screwball comedy also stars Charles Winninger, Broderick Crawford, Erik Rhodes, Leona Maricle, Ella Logan and Charles Halton.
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Beloved Enemy (1936)
Irish rebels launch an uprising against the British occupation of Ireland in the 1920s. One of the rebellion’s leaders and a beautiful aristocratic Englishwoman meet and, despite the enormous class, cultural, political and social differences between them, fall in love.
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Dodsworth (1936)
An adaptation of Sinclair Lewis’ novel about a middle-aged American automobile tycoon who retires and goes to Europe, where he and his appearance-conscious, snobbish wife find differing sets of values… and new relationships.
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