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The Green Glove (1952)
In World War II France, American soldier Michael Blake captures, then loses Nazi-collaborator art thief Paul Rona, who leaves behind a gem studded gauntlet (a stolen religious relic). Years later, financial reverses lead Mike to return in search of the object. In Paris, he must dodge mysterious followers and a corpse that’s hard to explain; so he and attractive tour guide Christine decamp on a cross-country pursuit that becomes love on the run…then takes yet another turn.
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Branded (1950)
A gunfighter takes part in a scheme to bilk a wealthy cattle family out of half a million dollars by pretending to be their son, who was kidnapped as child.
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D.O.A. (1950)
Frank Bigelow, told he’s been poisoned and has only a few days to live, tries to find out who killed him and why.
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No Sad Songs for Me (1950)
Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every moment of her life count, but her effort is weakened by the discovery that Brad is interested in his assistant, Chris Radner. But when she learns that Brad does indeed love her and not Chris, and that Chris is leaving town, she realizes what she must do to ensure the future happiness of Brad and Polly. She persuades Chris to stay, makes a genuine friend of her and watches Polly grow towards Chris.
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The Dark Past (1948)
A gang hold a family hostage in their own home. The leader of the escaped cons is bothered by a recurring dream that the doctor of the house may be able to analyze.
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Three Violent People (1957)
A rancher (Charlton Heston), his shady bride (Anne Baxter) and his one-armed brother (Tom Tryon) fight amid carpetbaggers in Texas.
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Seven Seas to Calais (1962)
Sir Francis Drake fights to take over Spain’s treasure routes for Queen Elizabeth I.
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Sally and Saint Anne (1952)
Sally O’Moyne, a good-natured but awkward school-girl lives with her extended and eccentric Irish-American clan. One day at school, unable to find her lunch bucket, Sally says a prayer to St. Anne in hope of heavenly assistance. When Sally finds her lunch, she believes a miracle has happened, convincing her of a special relationship with the saint. Meanwhile, some animosity between the O’Moyne family and a neighbor grows and manifests itself in various comic situations. The plot develops as Sally, firm in her belief in St. Anne, emerges from adolescence an attractive young woman, and discovers the opposite sex. The feud, along with Sally’s personal life, works itself to resolution in this light, nostalgic look at growing up Catholic in the 1940s and 1950s.
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