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Rahu Ketu (1978)
PKR 350Concerned over the rising death of low-caste people in a remote town in India, the Central Bureau of Investigation assigns this task to Inspector Ravi Kapoor and instructs him to go incognito to investigate these deaths. Upon arrival, Ravi is received by Collector Rahu Nath, to whom Ravi introduces himself as a Horticulturist. Thereafter Ravi lives in a small house that was owned by a man named Mohandas, who had died under mysterious circumstances. Mohandas’ children, Tulsi and her brother live there now. Ravi and Tulsi fall in love with each other, Ravi offers them all possible protection if Tulsi and her brother help him with the investigation, to which Tulsi agrees. Before Ravi could take any steps he is arrested by the local Police Inspector Thakur and lodged in a cell. And the only way he can get out by revealing his identity – which can seriously jeopardize the entire investigation.
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Main Jatti Punjab Di (1964)
PKR 350Preetop (Nishi)is a beautiful girl of handicapped father, her mother is dead. She loves her father and takes responsibility of farming in their fields.
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Rain (1949)
PKR 350The moody, music-filled romance Barsaat was Raj Kapoor’s first megahit and first film with composers Shankar-Jaikishan, the hit-writing duo who would hereafter score Kapoor’s films. Barsaat shuttles between the stories of romantic idealist Pran (Kapoor) and his more carnally-driven best friend Gopal (Prem Nath), who both meet and romance the daughters of innkeepers. Gopal loves and leaves Neela (future star Nimmi, in her debut), vowing to return when the monsoon comes, while Pran woos Reshma (Nargis, Kapoor’s main leading lady) with music until her father ends it, claiming all city boys are degenerates. In an attempt to see Pran once more, Reshma falls into a river and is presumed dead… (Encyclopaedia of Indian Cinema). —Pacific Cinémathèque
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Aan (1953)
PKR 350A poor farmer conquers the love of an Indian princess, whose brother wants to kill their father to become king.
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Baharon Ke Sapne (1967)
PKR 350In a small industrial town near Bombay lives Bholanath, who works at the local mill, and is the proud husband of Gauri, a daughter, Champa, and above all his son, Ramaiya, who is a graduate in the arts faculty, – the only one in this town who has attained this degree. But times are hard, and jobs are difficult to come by. When Bholanath loses his job, Ramaiya decides to find employment, and does so as a menial worker in the same mill his dad used to work. Ramaiya is very popular with his co-workers and they soon elect him as their new union leader. This puts Ramaiya in conflict with the Management of the Mill, headed by the owner, Kapoor, who has ordered that Ramaiya be eliminated post haste. But Ramaiya is determined to address the workers’ grievances, and he gets himself framed for theft; has the police on the lookout for him, and so Ramaiya goes into hiding.
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Johny Mera Naam (1970)
PKR 350Monu (Mohan) and Sonu (Sohan) are the two sons of a police inspector. The kids excel in boxing. Their father gets killed by a goon following orders from Ranjit (Premnath). Mohan kills the goon and takes refuge in a car boot. Years later Sohan goes on to become a CID officer called Sohan Kumar, who solves his cases taking up different guises. He takes the identity of Johny a petty thief and gets himself in Jail, befriends Heera (Jeevan) and goes to solve a case wooing Rekha (Hema) and finding the criminal.
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Dharmatma (1975)
PKR 350Wealthy, powerful and influential Seth Dharamdas leads a financially secure life in a palatial mansion. He is known to come to the aid of all people who are beyond any hope of assistance, and this leads to him being known as “Dharmatma”. But Seth Dharamdas does have a number of skeletons in his closet, and a parallel life as a gangster. The only person Dharamdas hates and fears is none other than his very own son, Ranbir, who has sworn that he will never compromise with his father’s dark career, and threatens to expose him. Dharamdas has never conceded surrender or defeat at the hands of any mortal, and will never even consider to do so – even if this means the death of Ranbir.
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Sanyasi (1975)
PKR 350Renukadevi is widowed and the mother of a son named Ram. Her husband had indulged in all possible vices, and passed away unexpectedly. Her father-in-law, Rai, does not want Ram to repeat his father’s mistakes, and teaches him all the positive values of the Hindu religion, in particular the contents of the Holy Book “Geeta”. As a result, Ram refrains from all known vices, is an expert in yogic exercises, decides to live the life of a celibate, and refuses to marry anyone. When Rai passes away, Renuka asks Ram to fulfill his grandfather’s last wishes, one of which was to get married. She even arranges his introduction to Aarti, an attractive young woman. But Ram is convinced that marriage is not for him.
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Nehle Pe Dehla (1976)
PKR 350A kingpin smuggler kills a police officer and succeeds in separating his teen-aged sons. The elder son who had vowed to take revenge, accidentally meets his younger brother. The two join forces to bust the smugglers gang.
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Karz (1980)
PKR 350Ravi is killed by his wife after his marriage. He is reborn as Monty and is now a singer he goes to holiday in Ooty where he recollects his memories from previous life and inquires about his family from first life and his evil wife Kamini.
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Bobby (1973)
PKR 350Raja is the 18-year-old son of a wealthy Bombay businessman who suffers from his parents coldness and neglect. Shortly after finishing school he meets Bobby, the 16-year-old daughter of a poor Christian fisherman. They fall head over heels for each other, but they’ll need everything they have to defend their love as their families won’t accept them marrying each other…
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