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Metropolis (1927)
PKR 250In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
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On Your Mark (1995)
PKR 150This animated short by Miyazaki was created as a music video for the song “On Your Mark” by Japanese duo Chage & Aska. The narrative is non-linear with no dialog and loosely follws the song lyrics and chorus. The video feels like a very compressed version of an epic Miyazaki film. The story follows two police men in a futuristic setting in their repeated attempts at rescuing a mysterious winged girl.
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The Golem: How He Came Into the World
PKR 250In the 16th century, the Jews of Prague face persecution. Rabbi Loew creates a giant golem out of clay, to protect the people. This film should not be confused with director Paul Wegener’s with Henrik Galeen 1915 mostly lost film The Golem (Der Golem) which was his first film to explore the myth.
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Homunculus, 1. Teil
PKR 250Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), ‘Homunculus’ was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no ‘soul’ and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.
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The Arrival of a Train at La Ciotat
PKR 250A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the “approaching” train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières’ cinématographe.
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