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Tonight We Sing (1953)
Tonight We Sing is a 1953 musical biopic film, directed by Mitchell Leisen, based on the life and career of the celebrated impresario Sol Hurok. It stars David Wayne and Ezio Pinza.
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Captain Carey, U.S.A. (1950)
A group of agents in the U. S. Office of Strategic Services (forerunner of the CIA), are sent to France during World War II, to knock out the French railroad system and, in accomplishing this mission, most of them will be killed because of an inside betrayal. After the war, one of the agents returns to find the traitor.
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Suddenly It’s Spring (1947)
A WAC officer returns from the war to find her husband wants a divorce.
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Kitty (1945)
London, 1783: Kitty, a saucy wench of the slums, meets the painter Gainsborough by stealing his shoes. He paints her as an “anonymous lady” who excites the interest of his noble friends, notably penniless Sir Hugh Marcy, who schemes to pass Kitty off as a genuine lady (a formidable task) and marry her off for financial gain.
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Take a Letter, Darling (1942)
A struggling painter takes a job as a secretary to a female advertising executive. While working to obtain an account from a tobacco company, they end up falling in love.
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Hold Back the Dawn (1941)
Romanian-French gigolo Georges Iscovescu wishes to enter the USA. Stopped in Mexico by the quota system, he decides to marry an American, then desert her and join his old partner Anita, who’s done likewise. But after sweeping teacher Emmy Brown off her feet, he finds her so sweet that love and jealousy endanger his plans.
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Arise, My Love (1940)
In 1939, American Tom Martin, who fought in the Spanish Civil War, awaits execution at the hands of the Fascist victors when reporter Augusta ‘Gusto’ Nash, for a scoop, aids him in an audacious escape. Of course, Tom tries to romance Gusto; but though she likes him, her career comes first, and Tom himself prefers freedom-fighting to settling down. Comedy becomes drama as their mixed feelings lead them on a circuitous path through the deepening chaos and catastrophe of the early days of World War II.
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Death Takes a Holiday (1934)
After years of questioning why people fear him, Death (March) takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, her father, Duke Lambert (Standing), sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness, or sacrifice it so that Grazia may live.
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Cradle Song (1933)
In a deeply cloistered convent, nun Dorothea Wieck (Mädchen in Uniform) raises a foundling to be Evelyn Venable. But at 17, what if, guided by a kindly doctor, she sees the world and finds love?
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