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Festival in Cannes (2001)
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she’ll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor’s new love, and Rick’s factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals – and pairings – will be consummated?
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Vampires (1998)
The church enlists a team of vampire-hunters to hunt down and destroy a group of vampires searching for an ancient relic that will allow them to exist in sunlight.
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The Eighteenth Angel (1997)
“Satan will no longer be beast… but beauty!” That declaration comes early in The Eighteenth Angel, signaling the kind of horror movie we’re in for: thick and cheesy. When that line (and others like it) is uttered by mad monk Maximilian Schell, it’s even creamier. Schell is ushering in the return of the Antichrist by genetically engineering Satan’s minions, but he needs the transplant
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The Diary of Anne Frank (1980)
The story of a 13-year-old Jewish girl and her family who are forced into hiding by the Nazis during World War II.
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The Black Hole (1979)
The explorer craft U.S.S. Palomino is returning to Earth after a fruitless 18-month search for extra-terrestrial life when the crew comes upon a supposedly lost ship, the magnificent U.S.S. Cygnus, hovering near a black hole. The ship is controlled by Dr. Hans Reinhardt and his monstrous robot companion, Maximillian. But the initial wonderment and awe the Palomino crew feel for the ship and its resistance to the power of the black hole turn to horror as they uncover Reinhardt’s plans.
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Cross of Iron (1977)
It is 1943, and the German army, ravaged and demoralised, are hastily retreating from the Russian front. In the midst of all this madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich are still vastly superior to the Russian army; however within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors. Steiner’s lack of respect results in a growing animosity between the two…
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St. Ives (1976)
A dabbler-in-crime and his assistant hire an ex-police reporter to recover some stolen papers.
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The Odessa File (1974)
After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a concentration camp during World War II. Miller eventually finds himself involved with the powerful organization of former SS members, called ODESSA, as well as with the Israeli secret service. Miller probes deepe
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