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Merata: How Mum Decolonised the Screen (2019)
A documentary portrait of the pioneering indigenous filmmaker and activist Merata Mita, Merata: How Mum Decolonised the Screen is an intimate tribute from a son about his mother that delves into the life of the first woman from an Indigenous Nation to solely direct a film anywhere in the world. Known as the grandmother of Indigenous cinema, Merata’s independent political documentaries of the ‘70s and ‘80s highlighted injustices for Māori people, and often divided the country. Mita was fearless in her life, her activism and her art. Chronicling the director’s journey to decolonize the film and television screens of New Zealand and the world, the film documents her work, her early struggles with her family and her drive for social justice that often proved personally dangerous.
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Children of Fire Mountain
Children of Fire Mountain was a 13 part miniseries from New Zealand.
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Mataku
Anthology of contemporary one-off dramas, adapted from the unique and mystical world of Maori supernatural legends. In these tales of the unexpected, set in New Zealand, ordinary characters encounter mysterious phenomena of Maori mythology.
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Green Dolphin Street (1947)
Sophie loved Edmund, but he left town when her parents forced her to marry wealthy Octavius. Years later, Edmund returns with his son, William. Sophie’s daughter, Marguerite, and William fall in love. Marguerite’s sister, Marianne, also loves William. Timothy, a lowly carpenter, secretly loves Marianne. He kills a man in a fight, and Edmund helps him flee to New Zealand. William deserts inadvertently from the navy, and also flees in disgrace to New Zealand, where he and Timothy start a profitable business. One night, drunk, William writes Octavius, demanding his daughter’s hand; but, being drunk, he asks for the wrong sister.
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Whina (2022)
Biopic about the life of Whina Cooper, an activist who worked tirelessly to improve the lives of fellow Māori women.
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The Dead Lands (2014)
Hongi, a Maori chieftain’s teenage son, must avenge his father’s murder in order to bring peace and honour to the souls of his loved ones after his tribe is slaughtered through an act of treachery. Vastly outnumbered by a band of villains led by Wirepa, Hongi’s only hope is to pass through the feared and forbidden “Dead Lands” and forge an uneasy alliance with a mysterious warrior, a ruthless fighter who has ruled the area for years.
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Out of the Mist: An Alternate History of New Zealand Cinema (2015)
Two decades on from Cinema of Unease, Tim Wong’s ambitious film essay contemplates the prevailing image of a national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in New Zealand. Narrated by Eleanor Catton.
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Moby Dick
The sole survivor of a lost whaling ship relates the tale of his captain’s self-destructive obsession to hunt the white whale, Moby Dick.
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The Twilight of the Gods (1996)
A Maori warrior comes upon the aftermath of a battle to find that the only survivor is a wounded enemy soldier. His wishes to avenge his fallen countrymen by finishing off this helpless enemy but the gods won’t allow it (as conveyed to him through a spirit bird). Anguished that he must instead treat the soldier’s wounds, he’s further repelled by the soldier’s incessant homosexual advances. Slowly and surprisingly, a change comes over the warrior to accept the soldier’s advances, but the war all too soon intrudes upon them.
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Boy (2010)
It’s 1984, and Michael Jackson is king – even in Waihau Bay, New Zealand. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy’s father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.
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