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Show Girl in Hollywood (1930)
Broadway actress leaves New York to become a star in Hollywood, and succeeds despite sleazy directors and her own ego.
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Casey at the Bat (1927)
Casey is a slovenly junk man in a turn of the twentieth century hick town who has a remarkable ability to play baseball. An unscrupulous New York scout signs him up, so Casey and his equally dishonest manager go to the big leagues. Eventually, the scout and manager conspire to get him drunk and bet against him for a crucial game with the pennant at stake.
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Wild Oranges (1924)
Millie Stope lives with her grandfather on a remote island. Man-child Nicholas, a fugitive from justice, also lives there and is terrorizing them – and he’s interested in Millie. One day widower John Woolfolk, sailing on his yacht, happens upon the island. Soon he and Millie fall in love. Will jealous Nicholas stand for this?
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The Day of Faith (1923)
Jane Maynard opens a mission in memory of philanthropist Bland Hendricks. John Anstell, son of a powerful and selfish millionaire, Michael Anstell, falls in love with Jane, to the old man’s disapproval. Anstell tries to undermine Jane’s work by hiring reporter Tom Barnett to write an unfavorable story about the mission.
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