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In Darkness We Fall (2014)
Group of Spanish friends on the tropical island holiday of a lifetime. Discovering a secret cave adds adventure. They enthusiastically go underground with their camera, but soon become hopelessly lost. Nail-biting tension in the tradition of recent Spanish horror films.
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The Blue Car (2014)
His grandmother’s death brings Hansel from San Francisco back to Cuba to take care of his brother Marcos. The two brothers have grown apart. With the help of an old family game Hansel attempts to restore his brother’s trust that has been lost over the years.
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Open Cage (2014)
The economy has collapsed. In a universe of moral and economic impoverishment, we find Flavia, a spoiled teenager with artistic aspirations that are somewhat frustrated when she is not accepted at the University. Her neighbor Martin, a mature man with rigid routines, is her antipode. When Flavia meets Martin, there are sparks of friction at all times, and the situation is unlikely to get any better.
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De pez en cuando (2014)
Ben, a frustrated writer, has decided to end his life. But when his suicide attempt is unknowingly interrupted by his neighbor, his life is thrown in disarray following a series of misadventures that will bring his world truly upside-down, giving him the reality check he needed.
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Purgatory (2014)
A woman must survive the night after she welcomes a neighbor’s child into her home.
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Ilusión Nacional (2014)
A sport like football is primarily a passionate celebration, but one that is so massive (economically, politically and socially) that it, of course, also brings many problems. Olallo Rubio’s third documentary (and fourth film in total), Ilusión Nacional, is a take on how the world’s most popular sport relates to Mexican society and politics.
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Betibú (2014)
Once Pedro Chazarreta found murdered in the wonderful gated, El Tribuno newspaper hires retired detective novelist Nurit Iscar/Betibù that is installed in the area and a series of newspaper columns about the case. Along with the Chief of police of the newspaper, Mariano Saravia, and a veteran journalist, Jaime Breña, Betibù starts to investigate the murder. Using an old photo of the adolescence of Chazarreta, which shows him with fellow high school, the Group discovers an apparent connection between this murder and a succession of apparently trivial deaths of members of the photo. At the same time, Betibù must face its past emotional with the editor of the newspaper, Lorenzo Rinaldi, who seeks to restore the relationship.
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