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Electro Shaabi (2013)
$15.00In the slums of Cairo, youth dancing to electro chaabi, new music that blends folk song, electro beats and freestyles chanted in the style of rap. The idea is to merge the sounds and styles so chaotic. One slogan mangling! Victim of corruption and social segregation, youth in neighborhoods exorcise partying. Release of body and a speech repressed transgression religious taboos: more than just a musical phenomenon, Electro Chaabi is a healthy outlet for youth oppressed by the prohibitions imposed.
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Prisoners of the Sun (2013)
$15.00A multinational expedition discovers a lost city beneath a pyramid, where they must stop the reawakened gods of ancient Egypt from initiating the apocalypse
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Road to Revolution (2014)
$15.00Road to Revolution follows the journey of three Portuguese journalists who travel through Tunisia, Syria, Egypt and Libya, two years after the uprising that became known as the Arab Spring. There they meet the men and women who have experienced the consequences of revolution first-hand. From the bold resisters of Egypt’s Tahrir Square to Syrian refugees, freedom fighters and the mothers of Libyan martyrs, Road to Revolution captures the voices of ordinary people caught up in extraordinary events, standing as an honest and intimate testimony of past, present and future.
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17 Fouad Street (2014)
$15.00A portrait for Nubar in his shop. An Armenian-Alexandrian who belongs to a fading community.
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The Aftermath of the Inauguration of the Public Toilet at Kilometer 375 (2014)
The Aftermath of the Inauguration of the Public Toilet at Kilometer 375 (2014)
$15.00The film follows the aftermath of an unfortunate incident at the inauguration of a public toilet located in the middle of the Egyptian desert. Inspired by Anton Chekhov’s short story “The Death Of A Government Clerk,” director El Zohairy offers us a story about fear in a milieu where uniformity and hierarchy reigns, in which the poses and gestures of the actors express a lot more than their words.
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American Pharaoh (2014)
$15.00Follows Bradley – only the third American coach to manage a foreign team – his wife, Lindsay, his staff and his players. In gaining access to the training camps and providing in-depth coverage of the Pharaohs’ games in Africa, the filmmakers document the team’s personal and professional struggles to keep their eyes on the prize of getting to the World Cup while living in and representing a country in turmoil.
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Uprising (2014)
$15.00The leaders of Egypt’s 2011 revolution discuss the fire, courage and resiliency behind their movement to remove President Hosni Mubarak from office.
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Egypt’s Lost Queens (2014)
$15.00Professor Joann Fletcher explores what it was like to be a woman of power in ancient Egypt. Through a wealth of spectacular buildings, personal artefacts and amazing tombs, Joann brings to life four of ancient Egypt’s most powerful female rulers and discovers the remarkable influence wielded by women, whose power and freedom was unique in the ancient world. Throughout Egypt’s history, women held the title of pharaoh no fewer than 15 times, and many other women played key roles in running the state and shaping every aspect of life. Joann Fletcher puts these influential women back at the heart of our understanding, revealing the other half of ancient Egypt.
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The Aviatrix (2015)
$15.00In 1928, Lady Heath became the first person to fly solo from Cape Town to London. Eighty-five years later, Tracey Curtis-Taylor set out in a vintage biplane to fly that adventure again. Following Tracey as she retraces the journey, The Aviatrix is more than just a film about the rapture of flying – it’s a story about living life on your own terms and having the courage and determination to realise your greatest dreams.
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Arab Movie (2015)
$15.00So many Israelis still wax nostalgic about that old Friday afternoon ritual, back in the times when television had just one channel. Everyone would watch the Arab movie of the week, but did anybody ever wonder how Israel’s official TV station was able to transcend hostile boundaries to obtain these films, and why it insisted on showing movies made by “the enemy”? The Arabic-language movie from Egypt let some of us escape back to our original homeland, and let others peek out from our “villa in the jungle” and catch a glimpse of our neighbors across the border. But most of us didn’t really want to see the people whose culture, anguish, and aspirations were reflected on our screens. “Arab Movie” brings us the stars and the songs, the convoluted plots, and that fleeting moment when we shared the same cultural heroes as everyone else in the Middle East. But this film about the richness and intensity of Egyptian cinema also raises some disturbing questions.
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The Visit (2015)
$25.00An inspection team from the World Bank arrives in an Egyptian village a few years after the revolution to assess how the transformation of agricultural management has progressed since the political upheaval. All of the activities are, as required, recorded by a television crew. We watch a drainage channel being built and visit the local museum. Everything seems to be as it should. However, the documentary’s authors leave the camera switched on even after the television crew has finished their work. As a result, the official record includes behind-the-scenes views and the members of the television crew become just additional actors in the film. The carefully arranged scene becomes an absurdly active image with advertising overtones.
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Yallah! Underground (2015)
$15.00Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.
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