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Blue (1993)
$15.00Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman’s experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
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Wittgenstein (1993)
$15.00A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the nature and limits of language. A series of sketches depict the unfolding of his life from boyhood, through the era of the first World War, to his eventual Cambridge professorship and association with Bertrand Russell and John Maynard Keynes. The emphasis in these sketches is on the exposition of the ideas of Wittgenstein, a homosexual, and an intuitive, moody, proud, and perfectionistic thinker generally regarded as a genius.
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Edward II (1991)
$15.00In this Derek Jarman version of Christopher Marlowe’s Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by taking as lover besides his diplomatic wife, the French princess Isabel, not an acceptable lady at court but the ambitious Piers Gaveston, who uses his favor in bed even to wield political influence – the stage is set for a palace revolt which sends the gay pair from the throne to a terminal torture dungeon.
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The Garden (1990)
$15.00A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.
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War Requiem (1989)
$15.00A film with no spoken dialogue, just follows the music and lyrics of Benjamin Britten’s “War Requiem, which include WWI soldier poet Wilfred Owen’s poems reflecting the war’s horrors. It shows the story of an Englishman soldier (Wilfred Owen) and a nurse (his bride) during World War I. It also includes actual footage of contemporary wars (WWII, Vietnam, Angola, etc.)
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Ostia (1988)
$15.00Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolini’s own poetry, as read by Jarman.
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The Last of England (1987)
$15.00The artist’s personal commentary on the decline of his country in a language closer to poetry than prose. A dark meditation on London under Thatcher.
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Caravaggio (1986)
$15.00As influential Italian artist Caravaggio dies in exile in 1610, he recalls his short life, from his childhood to his initial artistic failures to his later triumphs as he catches the eye of a sympathetic cardinal to his destructive relationship with a dashing gambler.
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The Angelic Conversation (1985)
$15.00The Angelic Conversation is a lyrical, haunting film about a young man’s search for love, in a dreamlike landscape. Offscreen, Dame Judi Dench recites a sequence of Shakespeare sonnets, that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”
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In the Shadow of the Sun (1981)
$15.00‘The Shadow of the Sun’ draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
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The Tempest (1979)
$15.00Prospero, a potent magician, lives on a desolate isle with his virginal daughter, Miranda. He’s in exile, banished from his duchy by his usurping brother and the King of Naples. Providence brings these enemies near; aided by his vassal the spirit Ariel, Prospero conjures a tempest to wreck the Italian ship. The king’s son, thinking all others lost, becomes Prospero’s prisoner, falling in love with Miranda and she with him. Prospero’s brother and the king wander the island, as do a drunken cook and sailor, who conspire with Caliban, Prospero’s beastly slave, to murder Prospero. Prospero wants reason to triumph, Ariel wants his freedom, Miranda a husband; the sailors want to dance.
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