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Highway (1995)
$15.00This movie is a crime thriller. Suresh Gopi is a Research and Analysis Wing (RAW) officer who comes in disguise to a colony to investigate a bomb blast which killed 30 innocent college students. Bhanupriya falls in love with Suresh Gopi and the rest of the story revolves around how Suresh Gopi solves the case.
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Popcorn (1991)
$15.00A horror film festival, held in a theater which was once the scene of a tragic fire, turns into a real life horror show.
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Sasneham (1990)
$15.00Thomaskutty who hails from a conservative Christian family gets married to a typical Tamil Brahmin girl, Saraswathy. They are left alone by their respective families for this reason. But both the families unite when a baby girl is born to the couples. The later part of the film deals with the problems faced by Thomaskutty and Saraswathy when their families start fighting even on petty issues.
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Speeches That Shook the World (2013)
$15.00Speech-making is the art of persuasion. Well-honed rhetoric appeals not just to the mind, but to the heart and, deeper down, in the guts. Examining the speeches that provoked radical change, surprised pundits or shocked listeners, poet Simon Armitage dissects what makes a perfect speech. Simon gets the inside story behind some of the famous speeches of the modern age, talking to Tony Blair’s speechwriter, to Earl Spencer on his controversial address at his sister’s funeral and the woman who challenged the rioters in Hackney. We hear how Peter Tatchell confronted the BNP, Paul Boateng on how Enoch Powell’s divisive speech personally affected him as a child, and Colonel Tim Collins, whose charge was to motivate his troops on the eve of the Iraq war. Simon discusses the nuts and bolts of speech writing with Vincent Franklin, aka the blue-sky thinking guru Stuart Pearson from The Thick of It, and gets tips on powerful delivery from actor Charles Dance.
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Don’t Look in the Basement (1973)
$15.00A young psychiatric nurse goes to work at a lonesome asylum following a murder. There, she experiences varying degrees of torment from the patients.
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Maryland (2022)
$15.00Lucy Kirkwood’s Maryland takes us to the dark heart of male violence against women but manages to do so with humour and wit. An outstanding cast explores an urgent issue.
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Coach Zoran and His African Tigers (2014)
$15.00Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan’s first national football team.
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The Confessions of Thomas Quick (2015)
$15.00A loner from an early age, Thomas Quick went on to become Sweden’s most notorious serial killer, openly confessing to the gruesome murders of more than 30 people. Held for decades in a psychiatric institute, Quick’s confessions emerged after years working with a group of touchy feely therapists, convinced that the recovery of memories would cure patients of their criminality. In a country with a low crime rate, the nation watched with horror as Quick’s confessions mounted, accounting for many of the country’s unsolved murders. With testimonials from a range of people whose lives have been dominated by this story – including Quick himself – and dramatic reenactment, Brian Hill weaves a stylish noir thriller that works a treat on the big screen. What appears at first to be a tale of unimaginable evil evolves into something much more layered as Hill digs deep into the motivations behind those working closely with Quick.
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The Day Shall Dawn (1959)
$25.00The great Indian filmmaker Satyajit Ray excelled in Chekhovian portraiture, imaginatively bringing to life the foibles, hopes, and vices of ordinary people. Until the reemergence of Day Shall Dawn at this year’s Cannes Film Festival, few Westerners were familiar with the similarly humanist work of Aaejay Kardar or, for that matter, with 1950s Pakistani cinema more generally. At the time of its premiere in 1958, Day Shall Dawn seemed to herald a new kind of filmmaking in Pakistan, a strangely intoxicating mix of melodrama and Neorealism. But Kardar and his screenwriter, the poet Faiz Ahmad Faiz, were branded as communist enemies of the country’s new military dictatorship. And though their film—the deceptively simple story of a fisherman who dreams of owning his own boat on the Meghna River in Bangladesh (formerly East Pakistan)—was filled with melancholy and comical touches, their depiction of a poor fishing community being shaken down by greedy loan sharks proved too incendiary.
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