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Bomba On Panther Island (1949)
The second of the eleven films in the “Bomba, The Jungle Boy” series.
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A Dangerous Profession (1949)
A cop-turned-bail bondsman gets involved in a murder investigation.
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Lawless Code (1949)
Curly Blake, nephew and heir of wealthy Red Rock rancher Jed Gordon, persuades his uncle not to invest in a crooked land scheme promoted by former judge Harmon Steele and his secretary Lem Martin.
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The Hasty Heart (1949)
It’s 1945, Burma, the day the war is over! For many this means they’ve survived and will be going home. But not for everyone. A Scottish soldier, Corporal Lachlan “Lachie” MacLachlan is the victim of a wound to the lower back on this day. He’s moved to a M.A.S.H. unit and undergoes surgery. As time goes by he begins to recover and watches, in dismay as soldiers pack up and head for home. The doctors have told him he needs to remain “for observation”.
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Undertow (1949)
Undertow stars Scott Brady as a gambler just out of wartime military service. No longer interested in wagers and speculations, Brady wants only to open up a mountain vacation lodge. Before this can take place, Brady is framed for murder, and forced to hide out in the home of Peggy Dow. With the help of Dow and a policeman friend, Brady searches for the real murderer. Watch carefully in Undertow and you’ll spot new Universal contractee “Roc” Hudson as a plainclothes detective.
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Port of New York (1949)
This film tells the story of a customs and treasury agent out to stop the distribution of opium, that came in on a ship in the Port of New York but was smuggled off by drug dealers.
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A Kiss for Corliss (1949)
After a brief encounter with the romantic and thrice divorced Kenneth Marquis, Corliss Archer decides to write in her diary that they are together in order to make her boyfriend Dexter jealous. Corliss’ father had also served as attorney representing Kenneth Marquis’ ex-wife during his most recent divorce trial. When Corliss and Dexter don’t come home one evening until five in the morning, Corliss decides to pretend to have amnesia to avoid the inevitable punishment awaiting her.
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Portrait of an Assassin (1949)
Three powerhouse European screen personalities–Pierre Brasseur, Erich Von Stroheim, Maria Montez—elevate the tawdry melodramatics of Le Portrait d’Un Assassin.
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Bagdad (1949)
An Arab sheik’s daughter (Maureen O’Hara) avenges his death, blamed on Hassan (Paul Christian) and his Black Riders.
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