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The Elevator (1974)
A claustrophobic armed robber, fleeing his latest job, is trapped along with group of people in a jammed elevator in a high-rise building.
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Hail, Hero! (1969)
Hail, Hero! stars Michael Douglas in his screen debut as long-haired college student Carl Dixon. Reversing the usual procedure in late-1960s films, Dixon decides to quit school and enlist in the Army, even though he’s already run afoul of the law as a Vietnam protestor. It is our hero’s intention to use love, rather than bullets, to combat the Viet Cong. Needless to say, his idealism is no match for the harsher realities of war, but this doesn’t stop him from endlessly spouting the sort of agit-prop rhetoric so beloved of filmmakers of the era. In addition to Michael Douglas, co-star Peter Strauss likewise makes his first film appearance in Hail, Hero! Dated in the extreme, the film is saved by the musical score by Gordon Lightfoot.
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The Miracle on 34th Street (1955)
One Kris Kringle, a department-store Santa Claus, causes quite a commotion by suggesting customers go to a rival store for their purchases. But this is nothing to the stir he causes by announcing that he is not merely a make-believe St. Nick, but the real McCoy Teresa Wright Macdonald Carey
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The Steel Trap (1952)
Joseph Cotten plays a assistant bank manager who steals $500,000 from the safe late on a Friday. His plans to flee to Brazil are hampered after he does get away with the money as planned.
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California Conquest (1952)
The period is the 1840’s and California is part of Mexico. Many of the citizens wish to become part of the United States. Other countries are also interested and the Russians have established bases in the northern part of the state. To further their hold they have stolen guns and Don Arturo Bordega, a leader of those wanting statehood, is out to recover them.
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The Men (1950)
Fred Zinnemann’s sensitive film on the plight of paraplegic WWII veterans features Marlon Brando in his superbly moving screen debut. He plays Lt. Bud Wilozek, one of a group of veterans recovering in the paraplegic ward of a hospital in his hometown. His former fiancée, Ellen (Teresa Wright), explains to his physician, Dr. Brock (Everett Sloane), her concern about his isolation and apparent depression since he has broken their engagment and refuses to see her. He counsels her to be patient, but when he decides to broach the issue with Bud, the embittered patient reacts angrily to the doctor’s intrusiveness, and continues to refuse to see Ellen. The doctor cajoles the withdrawn paraplegic into the life of the ward, where fellow patients begin to pull Bud out of his spiritual miasma. At length, his sense of hope starts to return, and after seeing Ellen for the first time in months, he begins to contemplate the possibility of marriage.
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Enchantment (1948)
Uncle Rollo finally retires to the house he was brought up in. Lost in thoughts of his lost love, Lark, he does not want to be disturbed in his last days. However, the appearance of his niece and the subsequent romance between her and Lark’s nephew causes him to reevaluate his life and offer some advice so the young couple don’t make the same mistake he did, all those years ago.
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Pursued (1947)
A hard-hitting western drama starring Mitchum as an orphan raised by a feuding family who wants to see him dead.
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The Best Years of Our Lives (1946)
It’s the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare. Captain Fred Derry is returning to a loveless marriage; Sergeant Al Stephenson is a stranger to a family that’s grown up without him; and young sailor Homer Parrish is tormented by the loss of his hands. Can these three men find the courage to rebuild their world? Or are the best years of their lives a thing of the past?
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