Spencer Williams

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    The Blood of Jesus (1941)

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    The Blood of Jesus (1941)

    Razz accidentally shoots his wife Martha when his hunting rifle drops on the floor and discharges. The church congregation gathers at Martha’s bedside to pray for her recovery, and during this period an angel arrives to take Martha’s spirit from her body, but she is tempted by the slick Judas Green, who is an agent for Satan.

    $15.00
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    Marching On! (1943)

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    Marching On! (1943)

    During World War II, a young African American is forced to continue his family’s tradition of military service when he is drafted into the United States Army. Despite complications that arise during his basic training, including his jealousy following his girlfriend’s flirtatious attention to his sergeant, the young soldier becomes a hero when he locates Japanese saboteurs operating a radio station outside of his military base.

    $25.00
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    Amos 'n' Andy

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    Amos ‘n’ Andy

    Amos ‘n’ Andy is a sitcom set in Manhattan’s historic black community of Harlem. The show was very popular in the United States from the 1920s through the 1950s on both radio and television. The radio show was written and voiced by two white actors playing a number of different characters: the titular Amos Jones and Andrew Hogg Brown, George Stevens, better known as “The Kingfish,” “Lightnin'”, and many others. The number of characters portrayed by the two performers required not only their own vocal versatility, but compelled them to invent a number of innovative microphone techniques to help convey the illusion of multiple characters in the same space.

    As the show came to television, black actors took over the overwhelming majority of the roles; white characters were infrequent. Although the television version in particular received some criticism even in its own time, it is notable that apart from a few of the regular characters, most of the characters portrayed are simply ordinary people, and not stereotypes. Even the Harlem neighborhood appears as any other normal American community: there are policemen, cab drivers, stores and shopkeepers, mothers with baby carriages, all going about their business in a perfectly unremarkable manner: they just happen to have black skin. Even “Amos” himself is a perfectly acceptable character, and no stereotype. He is a married man and an entrepreneur who owns and operates his own taxi business, the Fresh Air Cab Company. “Andy” is arguably more an unfortunate stereotype. He is chronically unemployed and a bit slow-witted. Despite his unemployment, he always seems to have a bit of money at hand, and one or two episodes suggest he has an adequate income from some stock holdings. “Kingfish” too is something of a stereotype going in the other direction, a clever, fast-talking huckster, always ready to cheat his friends with some get-rich-quick scheme. In this, though, Andy and the Kingfish are not so much black stereotypes as stock comic characters: they are very much in the mold of Abbott & Costello, with Andy as the naive, trusting Lou, always preyed upon by his unscrupulous friend.

    $112.00$152.00
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    The Bronze Buckaroo (1939)

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    The Bronze Buckaroo (1939)

    Bob Blake and his sidekick and four singing cowboys arrive at the Jackson ranch where Bob learns from Betty Jackson that her brother, Joe, is missing. Bob investigates and learns that there is gold on the Jackson ranch, and the neighboring rancher has kidnapped Joe in order to get his land.

    $25.00
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    Go Down, Death! (1944)

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    Go Down, Death! (1944)

    The owner of a juke joint arranges to frame an innocent preacher with a scandalous photograph, but his scheme backfires when his own adoptive mother interferes.

    $25.00
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