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Beware, My Lovely (1952)
$15.00A psychopath takes a job as a handyman at the house of a lonely widow.
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Clash by Night (1952)
$15.00An embittered woman seeks escape in marriage, only to fall for her husband’s best friend.
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Flying Leathernecks (1951)
$15.00Major Daniel Kirby takes command of a squadron of Marine fliers just before they are about to go into combat. While the men are well meaning, he finds them undisciplined and prone to always finding excuses to do what is easy rather than what is necessary. The root of the problem is the second in command, Capt. Carl ‘Griff’ Griffin. Griff is the best flier in the group but Kirby finds him a poor commander who is not prepared to the difficult decision that all commanders have to make – to put men in harm’s way knowing that they may be killed.
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Born to Be Bad (1950)
$15.00A manipulative woman plots to seduce her cousin’s rich fiance, but is also in love with the only man who can see her selfish true nature. Based on the 1928 bestseller “All Kneeling” by Anne Parrish.
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The Set-Up (1949)
$15.00Stoker Thompson is a 35-year-old has-been boxer. His once-promising fighting career has come crashing to the end. Tiny, Stoker’s manager, is sure he will continue to lose fights, so he takes money for a “dive” from a mobster, but is so sure that Thompson will lose that he doesn’t tell the boxer about the set-up. At the beginning of the last round of the vicious boxing match he learns of the fix.
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Caught (1949)
$15.00It was Leonora Eames’ childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband – he is power mad and insane! Since he will not grant her a divorce, she leaves her life of luxury on Long Island and goes to work as a receptionist in an impoverished doctor’s office in NYC’s lower east side. After Smith deceives her into a temporary reconciliation, Leonora becomes pregnant. By the time she realizes she is expecting, she and one of the doctors, Larry Quinada (James Mason), have fallen in love. But she is again lured backed to her wealthy husband to give her child financial security. Her sadistic husband is hell-bent on keeping her and her child prisoner. What will happen to Leonora?
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The Boy with Green Hair (1948)
$15.00This parable looks at public reaction when the hair of an American war orphan mysteriously turns green.
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Return of the Bad Men (1948)
$15.00The success of 1947’s Badman’s Territory prompted RKO Radio to assemble another “outlaw rally,” Return of the Badmen. Randolph Scott plays US marshal Vance, assigned to rid the Oklahoma Territory of outlaws. This proves to be quite a challenge, inasmuch as virtually every frontier bad guy has converged upon the territory. Led by the surly Sundance Kid (Robert Ryan), the rogue’s gallery includes the Younger Brothers (Steve Brodie, Richard Powers, Robert Bray), the Daltons (Lex Barker, Walter Reed, Michael Harvey) and Billy the Kid (Dean White). For all the formidable villainy, the film’s most fascinating conflict develops between the two heroines: feisty Cheyenne (Anne Jeffreys) and prim ‘n’ proper Madge Allen (Jacqueline White).
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Berlin Express (1948)
$15.00Robert Ryan leads a group of Allied agents fighting an underground Nazi group in post-war Europe.
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The Woman on the Beach (1947)
$15.00A WWII Coast Guard veteran, Lt. Scott Burnett (Robert Ryan), is plagued by nightmares of his combat days. One day, he meets a woman, Peggy Butler (Joan Bennett), walking on a beach, picking up pieces of wood. Butler is married to a grumpy, blind painter, Ted Butler (Charles Bickford). Despite his affections for his fiancée Eve (Nan Leslie), whose father is a boat builder, Scott falls in love with Peggy and soon breaks off the engagement. Peggy reveals that she blinded her husband years earlier by throwing a glass at him during an ugly spat, ruining his career and her own ambitions to be an upper-class socialite. Scott fears that Ted is suspicious that he is having an affair with Peggy and becomes so paranoid that he begins to believe that Ted is faking his blindness — and sets out to prove it. This was the fifth and final American film by the great French writer-director Jean Renoir.
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