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The Rolling Stones – Havana Moon (2016)
The historic concert appearance of the British band in Cuba on March 25th, 2016. The “Concert for Amity” was and played at the Ciudad Deportiva Stadium – the bands first show in Cuba and the finale of their South America Tour.
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The Rolling Stones Olé Olé Olé! : A Trip Across Latin America (2016)
This exhilarating rock ‘n’ roll road movie follows The Rolling Stones on their 2016 tour of Latin America, climaxing with their historic concert in Havana, Cuba.
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Some Girls – Live In Texas (1978)
The Rolling Stones 1978 tour of the USA in support of that year’s Some Girls album is considered by fans to be one of their very best. The tour took a back to basics approach, with the band and their music very much at the forefront and little or no elaborate staging. Originally shot on 16mm film, the footage has been carefully restored and the sound remixed and remastered by Bob Clearmountain from the original multitrack tapes. This is undeniably the Rolling Stones at the peak of their form.
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Tonite Let’s All Make Love in London (1967)
Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.
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The Rolling Stones: Stones in Exile (2010)
In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg’s Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album’s haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. “Exile on Main Street” is released to mediocre reviews that soon give way to lionization.
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The Man from Elysian Fields (2001)
A failed novelist’s inability to pay the bills strains relations with his wife and leads him to work at an escort service where he becomes entwined with a wealthy woman whose husband is a successful writer.
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My Best Fiend
A look at the tumultuous yet productive relationship between German director Werner Herzog and actor Klaus Kinski.
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Shine a Light
Martin Scorsese and the Rolling Stones unite in “Shine A Light,” a look at The Rolling Stones.” Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
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The Rolling Stones: Gimme Shelter
This documentary of the Rolling Stones’ 1969 US tour has become a legendary, harrowing symbol of the tragic demise of the “Peace and Love” era. After a successful tour across the US, the Rolling Stones gave a free December concert at Altamont Speedway in California with the Grateful Dead, Ike and Tina Turner, Jefferson Airplane, and the Flying Burrito Brothers. The band unwisely selected the Hells Angels to provide security, and the bikers resorted to violence to keep the stoned, restless, and often naked crowd in line. The result: dozens of injuries and the on-screen stabbing of a young black man (during “Sympathy for the Devil”) by one of the concert’s staff security. In a manipulative but effective move, the Maysles brothers filmed Mick Jagger in the editing room witnessing the on-camera murder for the first time. The film also works as a rock-and-roll document, capturing the band at their most relaxed, intoxicating, and electrifying.
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