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The Train (1964)
As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France’s greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory.
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Emile’s Boat (1962)
Charles-Edmond, l’aîné des frères Larmentiel, décide de revenir à La Rochelle, sa ville natale pour y mourir. Quarante ans plus tôt il en avait été chassé par son père. Avant de trépasser, le vieil original annonce qu’il a un fils caché, Émile, marin-pêcheur auquel il souhaite lèguer ses biens. François, le frère cadet, que Charles-Edmond déteste, lorgne sur l’héritage pour renflouer la puissante entreprise familiale, véritable trust de la pêche, et va tenter de s’approprier l’affection et les biens de cet héritier inopportun. Émile, quant à lui, est trop occupé à se disputer avec Fernande, chanteuse de beugland, pour se douter de ce qui l’attend…
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Saadia (1953)
Saadia is a wild, strange Arab girl whose life has been dominated by a local sorceress, a vengeful outcast in the community, who has convinced her she has the “evil eye” and brings disaster to all who love her. French doctor Henrik takes her to his clinic, for rehabilitation purposes, and falls in love with her as does his friend, Si Lahssen, the reigning prince of this small Moroccan state. When a plague falls on the town, Saadia is convinced she is responsible, and rides alone into the mountain country to retrieve the plague serum being held for ransom by bandits. The love triangle dominates most of the rest of the film.
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Hôtel des Invalides (1952)
A tour of the Hotel des Invalides, and more particularly of the Army Museum and the Saint Louis Chapel. From François I’s armor to Guynemer’s airplane, to Napoleon’s and Marshall Foch’s tombs. But this is no ordinary tour,it is rather a chilling visit guided by Georges Franju and narrated by Michel Simon emphasizing – at times through biting humor -not the glory but the nonsense of wars, but their tragic aftermath.
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Brelan d’as (1952)
Anthology film with three shorts each featuring a famous detective: Monsieur Wens, Lemmu Caution and Maigret.
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Panic (1947)
The strange and slightly unsettling Monsieur Hire is suspected of a crime. A crowd tracks the man down, who seeks escape on the roof of a building.
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Le dernier tournant (1939)
Le Dernier tournant (aka The Last Turning) is a 1939 French drama film directed by Pierre Chenal, written by Charles Spaak and Henri Torrès, based on novel “The Postman Always Rings Twice” by James M. Cain.
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L’Atalante (1934)
Newly married couple Juliette and a ship captain Jean struggle through marriage as they travel on the L’atalante along with the captain’s first mate Le père Jules and a cabin boy.
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La vie d’un honnête homme (1953)
La Vie d’un honnête homme English: The Virtuous Scoundrel, is a French comedy drama film from 1953, directed by Sacha Guitry, written by Sacha Guitry, starring Michel Simon and Louis de Funès.
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Strange Desire of Mr. Bard (1954)
A terminally ill Mr. Bard, a casino bus driver forced to quit his job, miraculously wins a fortune playing roulette. Instantly becoming a millionaire, he wants to fulfill his life’s dream: to become a father. This plan is opposed by his greedy relatives who would go any low to take this money away from him. They are being led by a small-time crook. Mr. Bard’s natural shyness and good heart lead him to the journey of self-exploration and finding his true love.
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It Happened in Broad Daylight
Es geschah am hellichten Tag is a German black and white film depicting the dramatic story of the search for a children murderer.
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