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Chittor Vijay (1947)
Chittor Vijay is a 1947 Hindi language film directed by Mohan Sinha, featuring Raj Kapoor and Madhubala in the lead roles.
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Mahal (1949)
A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
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Howrah Bridge (1958)
Rakesh lives with his brother, Madan, and his dad in Rangoon. Madan has fallen into bad company and steals the family heirloom, in the shape of a dragon, some cash and runs away to India. Shortly thereafter, his dead body is found under Calcutta’s Howrah Bridge. Rakesh travels to Calcutta in order to find out the mystery behind Madan’s death, and also try to recover the family heirloom.
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Chalti Ka Naam Gaadi (1958)
The Sharma brothers consist of former boxer, Brijmohan; Jagmohan, an Electrical Engineer; and Manmohan, a Mechanic. The brothers operate a garage under the name of ‘Mohan Brothers’. Brijmohan had been in love with wealthy Kamini, but she decided to marry someone, and since that day, a heartbroken Brijmohan hated all women and instructed his brothers not to get involved with them. Ten years later, Jagmohan and Manmohan meet and fall in love with wealthy Sheela and her friend, Renu respectively. They continue to meet on the sly so as not to incur their brother’s wrath. Then Renu’s marriage is arranged with Prakashchand, the brother of Raja Hardayal Singh. When Manmohan meets Prakashchand he recognizes him as a killer. Before he could expose him, Renu, Manmohan, and then subsequently Renu’s dad, Kishinchand, are abducted. The motive for this abduction is to force Renu to marry Prakashchand so that Raja can inherit Kishinchand’s wealth…
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Mughal-e-Azam (1960)
Set in the 16th century AD, the movie brings to life the tale of the doomed love affair between the Mughal Crown Prince Saleem and the beautiful, ill-fated court dancer, whose fervor and intensity perpetrates a war between the prince and his father the great Mughal Emperor Akbar, and threatens to bring an empire to its knees.
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Half Ticket (1962)
A diamond thief hides his loot on an innocent child, but the child turns out to be an adult posing as a youngster to purchase a half-priced train ticket. Now, the thief will have to outwit the eccentric in a series of wacky misadventures.
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Mr. & Mrs. ’55 (1955)
A young, naive heiress, in custody of a martinet and flamingly feminist aunt is forced into a ‘marriage of convenience’ with an unemployed cartoonist in an attempt to save her millions – a move orchestrated by the scheming aunt. However, in the course of her ostensibly married life, she learns the true meaning of marriage and the deep significance of being an Indian wife, much to the dismay of her aunt, who, in adherence to her wayward beliefs, has been trying to instill every kind of anti-male sentiment in her niece’s ingenuous mind.
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