Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary “phantom”.
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Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary “phantom”.
Richard Dix as Dan Taylor and Preston S. Foster as Paxton Bryce are two longtime friends seeking their fortune in Texas after the war. The two men decide, not without problems, to establish a cattle empire. Paxton becoming too ambitious, distances himself from Dan and Abby, Paxton’s wife. It will only be after a personal tragedy that he will come back to his senses.
Director Richard Thorpe’s 1941 film stars Wallace Beery as a crusty old San Pedro fisherman, Virginia Weidler as his precocious and motherless daughter, Marjorie Main as a waterfront spinster hoping to reel in a husband, and an ever-present pelican with immaculate comic timing.
A down-on-his luck businessman organizes an excursion to Sir Henry Morgan’s Island for a treasure hunt only to encounter a mysterious phantom and murder.
It is 1892 in Death Valley and the yields from the Borax ore are getting so small that refining it is a losing proposition. The only thing that will save the company is a new deposit of high grade Borax, and Skinner Bill Bragg has a pouch of it that he got from a dead prospector he buried on the road. Stag Roper knows the value of the strike could be worth millions, but he needs Bragg to find the prospector’s claim so they can record it and become rich partners. While Roper has no intention of cutting Bragg in on the millions, he also has his eye on young Jean Johnson. Josie Johnson, Jean’s mother, sees Roper as the scalawag he is, and that means trouble in Furnace Flat.