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Battle Stations (1956)
$15.00The crew of a U.S. Navy ship in World War II goes into battle against the Japanese fleet.
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Three Young Texans (1954)
$15.00A western about a Texan who robs a train in an effort to prevent his father from committing the crime, a young girl who attempts to help him after learning about the theft, and a cowboy friend who demands a share of the money.
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Skirts Ahoy! (1952)
$15.00Three young ladies sign up for some kind of training at a naval base. However, their greatest trouble isn’t long marches or several weeks in a small boat, but their love life.
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A Place in the Sun (1951)
$15.00An ambitious young man wins an heiress’s heart but has to cope with his former girlfriend’s pregnancy.
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Never Fear (1949)
$15.00A dancer who has just gotten engaged to her partner and choreographer and is about to embark on a major career is devastated to learn that she has contracted polio.
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Not Wanted (1949)
$15.00After a beautiful but unsophisticated girl is seduced by a worldly piano player and gives up her out-of-wedlock baby, her guilt compels her to kidnap another child.
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USS VD: Ship of Shame (1942)
$15.00This film was made by the U.S. government during World War II to show its young servicemen the results of “fooling around” with “loose women” overseas. Actual victims of such sexually transmitted diseases as syphilis and gonorrhoea are shown, along with the physical deterioration that accompanies those diseases.
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Mad at the World (1955)
$25.00A neighborhood is terrorized by group of young juvenile delinquents called The WolfPack. When a young father’s infant child is seriously injured because of the WolfPack, he decides that the police aren’t working fast enough to catch the ones who hurt his baby and sets out to infiltrate the gang himself and mete out the punishment they deserve.
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The Unknown Man (1951)
$25.00A scrupulously honest lawyer discovers that the client he”s gotten off was really guilty.
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It’s a Big Country (1951)
$25.00Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios’ best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas.
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