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The Fall of the Roman Empire (1964)
$15.00Drawn from the same events that later inspired Gladiator, the film charts the power-hungry greed and father-son betrayal that led to Rome’s collapse at the bloody hands of the Barbarians.
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Lawrence of Arabia (1962)
$15.00An epic about British officer T.E. Lawrence’s mission to aid the Arab tribes in their revolt against the Ottoman Empire during the First World War. Lawrence becomes a flamboyant, messianic figure in the cause of Arab unity but his psychological instability threatens to undermine his achievements.
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H.M.S. Defiant (1962)
$15.00Defiant’s crew is part of a fleet-wide movement to present a petition of grievances to the Admiralty. Violence must be no part of it. The continual sadism of Defiant’s first officer makes this difficult, and when the captain is disabled, the chance for violence increases.
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Our Man in Havana (1959)
$15.00Is a light hearted and satirical tale of political espionage and intrigue in pre-Castro Cuba.
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The Scapegoat (1959)
$15.00An Englishman (Alec Guinness) in France unwittingly is placed into the identity, and steps into the vacated life, of a look-alike French nobleman.
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The Horse’s Mouth (1958)
$15.00A somewhat vulgar but dedicated painter searches for the perfect realization of his artistic vision, much to the chagrin of others.
Playing Gulley Jimson, a deceptively scruffy bum, Alec Guinness captures the essence of an artist possessed by the need to create. Guinness’ performance and his Oscar -nominated screenplay create both stirring drama and hilarious tomfoolery as the vagrant Jimson races from bar to pawnshop to wealthy art patron to fulfill his artistic quest. Kay Walsh is brilliant as the cantankerous barmaid doomed to help Jimson on his wildest mission yet. -
Barnacle Bill (1957)
$15.00A seasick sea captain commands an amusement pier despite local opposition. Released in the U.S. as ‘All at Sea’
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The Bridge on the River Kwai (1957)
$15.00The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson , the commander who supervised the bridge’s construction, has acquired a sense of pride in his creation and tries to foil their plans.
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The Ladykillers (1955)
$15.00A gang of five diverse oddball criminal types rent a two-room apartment in an old house on a London cul-de-sac from an octogenarian widow with three pet parrots. The group’s mastermind, Professor Marcus, tells her a cover story that they are members of an amateur string quintet and would like to use the rooms to hone their musical skills. In reality, they’re plotting to rob an armored bank van and plan to use Mrs. Wilberforce’s naiveté and her Victorian sensibilities to their advantage.
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The Prisoner (1955)
$15.00A cardinal is arrested for treason against the state. As a prince of his church, and a popular hero of this people, for his resistance against the Nazis during the war and afterward his resistance when his country again fell to a totalitarian conqueror. In prison, his interrogator is determined to get a confession of guilt against the state from the strong willed man, and thus destroy his power over his people. The verbal and psychological battles are gripping and powerful – not even the increasing pressures put upon the Cardinal can force him to weaken; not even solitary confinement, continuous blazing light in his cell, sleeplessness, efforts to persuade him he is going mad. And yet, in the deepening conflict, the superb indomitable prisoner, creates a tremendous pity on his tormentor, the interrogator. Written by alfiehitchie
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The Captain’s Paradise (1953)
$15.00Mediterranean ferryboat captain Henry St James has things well organized – a loving and very English wife Maud in Gibraltar, and the loving if rather more hot-blooded Mistress, Nita in Tangiers. A perfect life. As long as neither woman decides to follow him to the other port.
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Malta Story (1953)
$15.00In 1942 Britain was clinging to the island of Malta since it was critical to keeping Allied supply lines open. The Axis also wanted it for their own supply lines. Plenty of realistic reenactments and archival combat footage as the British are beseiged and try to fight off the Luftwaffe. Against this background, a RAF reconnaissance photographer’s romance with a local girl is endangered as he tries to plot enemy movements.
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