An orphaned girl, driven by poverty at such a young age, makes a promise with an enchantress. In return for beauty and the admiration of every man, she will never be with the man she loves. This spell cannot be broken unless the impossible happens: snow falling in spring and the dead coming back to life. Now a grown and beautiful princess, she regrets her promise, for all of the men she’s loved has always been met with tragedy. In love again with a man behind a red armor and a golden mask who rescues her from death, she is tormented by their inevitable parting. Meanwhile, Kunlun, the slave of a great general, is searching for the lost memories of a family he once had. Soon the fate of these two intertwine when the princess believes the general to be her hero, thus pulling him into this web of fate. What end will befallen our three characters? Are their fates already sealed by a higher power, or can they still choose a life they want?
Lara Croft Tomb Raider: The Cradle of Life
Lara Croft ventures to an underwater temple in search of the mythological Pandora’s Box but, after securing it, it is promptly stolen by the villainous leader of a Chinese crime syndicate. Lara must recover the box before the syndicate’s evil mastermind uses it to construct a weapon of catastrophic capabilities.
King Kong vs. Godzilla
After a 7 year hiatus, Godzilla returned to the screen to take on King Kong in the 3rd film in the Godzilla franchise. A pharmaceutical company captures King Kong and brings him to Japan, where he escapes from captivity and battles a recently revived Godzilla.
Funeral Parade of Roses
A feverish collision of avant-garde aesthetics and grind-house shocks (not to mention a direct influence on Stanley Kubrick’s A Clockwork Orange), Funeral Parade of Roses takes us on an electrifying journey into the nether-regions of the late-’60s Tokyo underworld. In Toshio Matsumoto’s controversial debut feature, seemingly nothing is taboo: neither the incorporation of visual flourishes straight from the worlds of contemporary graphic-design, painting, comic-books, and animation; nor the unflinching depiction of nudity, sex, drug-use, and public-toilets. But of all the “transgressions” here on display, perhaps one in particular stands out the most: the film’s groundbreaking and unapologetic portrayal of Japanese gay subculture.
A young man, whose only possession is a motorcycle, spends his time riding around the city looking for empty apartments. After finding one, he hangs out for a while, fixing himself something to eat, washing laundry or making small repairs in return. He always tries to leave before the owners get back but in one ostensibly empty mansion he meets the abused wife of a rich man and she escapes with him…
Tragedy strikes a married couple on vacation in the Moroccan desert, touching off an interlocking story involving four different families.
The Last Samurai
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai’s way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
The eerie and deserted ghost town of Silent Hill draws a young mother desperate to find a cure for her only child’s illness. Unable to accept the doctor’s diagnosis that her daughter should be permanently institutionalized for psychiatric care, Rose flees with her child, heading for the abandoned town in search of answers – and ignoring the protests of her husband. It’s soon clear this place is unlike anywhere she’s ever been. It’s smothered by fog, inhabited by a variety of strange beings and periodically overcome by a living ‘darkness’ that literally transforms everything it touches. As Rose searches for her little girl, she begins to learn the history of the strange town and realizes that her daughter is just a pawn in a larger game.
In ancient Japan a crime take place as told from three different travelers who have experienced the crime: a man being killed and his wife being raped. Which if any of the stories is true? An Akira Kurosawa film about morals, truth, and communication.
Ashitaka, a prince of the disappearing Ainu tribe, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.
Otomo Katsuhiro’s short anime story
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