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The Road to Denver (1955)
The Mayhew brothers flee from one Texas town to another as older brother Bill repeatedly attempts to keep younger brother Sam out of jail. Bill finally gives up on his younger brother and heads for Colorado. He gets a job and all is well until his brother shows up and takes a job that puts them on opposite sides of the law.
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Track the Man Down (1955)
A newspaper reporter finds himself drawn into the aftermath of a racetrack robbery.
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I Cover the Underworld (1955)
Gunner O’Hara is about to be released from prison after serving a five-year sentence, and receives a visit from his twin brother John, a divinity student soon to be ordained as a priest. Aware that Gunner plans to resume his criminal career, John decides to stop him.
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Panther Girl of the Kongo (1955)
Jean Evans of an international wildlife foundation has made herself at home in Africa as the elephant-riding, vine-swinging, miniskirted ‘Panther Girl.’ On safari to film animals, Jean encounters something really wild; a giant crayfish monster (created by greedy scientist Morgan who, with his henchmen, hopes to scare everyone out of the district, then secretly mine diamonds). Jungle perils aplenty stand between Jean (an active, competent heroine) and her hunter friend Larry and their goal of tracing the ‘claw monster’ to its source.
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Make Haste to Live (1954)
A single mother in New Mexico senses her own death in the hands of a mysterious stalker.
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San Antone (1953)
After the Civil War, a cowboy who’s a former Union soldier leads a cattle drive into Mexico now occupied by the French…
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Fair Wind to Java (1952)
The Dutch East Indies, at the end of the nineteenth century. An adventurous captain of an American merchant vessel is looking for a sunken Dutch vessel containing 10,000 precious diamonds. Unfortunately, he’s not the only one and then there’s also that volcano on the nearby island of Krakatau, waiting to explode in its historical, disastrous eruption…
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Hoodlum Empire (1952)
It’s a deadly play for power when a Mafia chieftain’s top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.
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