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Bury Me Dead (1947)
Murder and obsession abound in this fast-paced mystery based on a radio play that begins with one of the most startling openings ever filmed! Directed by Bernard Vorhaus (The Spiritualist) and lensed by film noir’s finest cinematographer, John Alton, this under-the radar gem stars June Lockhart, Cathy O’Donnell and Hugh Beaumont. Produced at the now-legendary “noir factory” of Eagle Lion Productions.
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Gas House Kids (1946)
The Gas House Kids tackle a gang of criminals in the hope of winning the reward and helping a returning war veteran make a life with his girl.
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Accomplice (1946)
A private detective and his assistant are hired to find a missing husband. The seemingly easy case is complicated by a dead body.
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Her Sister’s Secret (1946)
A WWII tale of romance that begins during New Orlean’s “Mardi Gras” celebration when a soldier and a girl meet and fall in love. He asks her to marry him but she decides to wait until his next leave. He is sent overseas and she does not receive his letter and feels abandoned, but she does find out she is pregnant. She gives the child to her married sister and does not see her child again for three years. She returns to her sister’s home to reclaim the child, and the soldier, who has been searching for her, also turns up. The sister is not interested in giving up the child. Written by Les Adams
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Prairie Badmen (1946)
Medicine show proprietor Doc Lattimer has in his possession a map showing the location of a cache of stolen gold. His son Don favors keeping the gold rather than returning it to the express company to which it rightfully belongs, and steals the map, only to find himself menaced by outlaw leader Cal and his gang.
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Blonde for a Day (1946)
Hugh Beaumont stars as detective “Michael Shayne” in this 1946 B-film.
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The Flying Serpent (1946)
A demented archaeologist discovers a living, breathing serpent creature known to the Aztecs as Quetzalcoatl and accidentally kills his wife by giving her one of the beast’s feathers, causing the creature to track her down and slaughter her. Using this knowledge he exacts revenge upon his enemies by placing one of the feathers on his intended victim and letting the beast loose to wreak havoc.
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Six Gun Man (1946)
Cattle thieves attack every cattle drive that comes near Hagerstown. If they do not sell their cattle for 50 cents on the dollar, they are all stolen. U.S. Marshal Stormy has been sent to end this reign of terror and to find the stolen cattle. He starts with a patrol of cattleman that blast every attempt of the outlaws to steal the herd.
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Navajo Kid (1945)
A B-Western hero since the late silent era, Bob Steele would hang up his spurs after a final four westerns for director Harry L. Fraser. In the opener, The Navajo Kid, Steele, as he had so many times before, went in search of the villain, or villains, who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan (I. Stanford Jolley), who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon (Edward Cassidy). The Navajo Kid was produced independently by Arthur Alexander and Alfred Stern and released by PRC. Leading lady Caren Marsh had been Judy Garland’s stand-in during the making of The Wizard of Oz (1939).
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Song of Old Wyoming (1945)
Statehood for Wyoming became the weighty focal point in this very low-budget music Western from poverty row company PRC, which served to introduce Eddie Dean as the company’s newest singing cowboy. Old Ma Conway (Sarah Padden) champions statehood for Wyoming, believing the measure would put an end to the territory’s lawlessness; but the elderly woman is opposed by cattle buyer and tax assessor Lee Landow (Ian Keith and greedy banker Dixon (Robert Barron). When Ma offers her opinion in a newspaper article, Landow sends his henchman Ringo (Rocky Camron) to put the fear of God in the woman.
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Why Girls Leave Home (1945)
In this crime drama a young woman leaves her unhappy life at home to become a sophisticated night club singer. Her first job is nearly fatal when she entangles herself with the mobsters who own the joint and learns too much about their operation. Her boss decides to kill her and make it look like suicide. An intrepid reporter disbelieves the report and exposes the truth to the public.
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Shadows of Death (1945)
With the railroad coming to Red Rock, trouble is expected and Billy has been sent to help his friend Fuzzy who is the town’s sheriff, judge, and barber. When the man that sent Billy is murdered and the railroad location map stolen, broken match sticks point to Vic Landreau. While Billy tries to find the missing map, Landreau suspects Billy is on to him and plans to have him killed.
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