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Held up for seven years before it was released, Far from the Trees seems like a perfect successor to Luis Buñuel’s Land Without Bread. Like that earlier film, it is a kind of impressionistic travelogue that shows a Spain far from the beaten paths of the tourist resorts; not only poverty but the persistence of superstitions and occult beliefs captured by the film rebuke the image of a forward-looking, modern Spain that by the 60s was being promoted by the Franco regime. Esteva Grewe largely allows the images and juxtapositions to speak for themselves, giving the film a lyrical feeling that somewhat softens its social criticism – though obviously not enough for the censors.