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Untitled (1997)
Martin Arnold has adopted a fragment from the shower scene of Alfred Hitchcock’s legendary thriller PSYCHO, rendering and composing it anew with the possibilities of digital retouching. The result is a short yet intense piece of contemporary aesthetics. Devoted mainly to density and omission, it visualizes the cinematic narrative on all its levels as a cinematographic and aesthetic mise en scène. Simultaneously, it reveals that a resolving adaptation of traditional cinematic forms can also create suspense, excitement and pleasure.
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Fire & Rain (2009)
How do you make something last just a minute that actually takes ten times as long? You boil it down. “I took the steel rolling process that takes about 10 minutes”, James Benning writes about Fire & Rain, “and condensed it down to one minute by cutting out portions and hiding the ellipses in time with dissolves”.
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