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Come Live with Me (1941)
Seeking US citizenship, a Viennese refugee arranges a marriage of convenience with a struggling writer.
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5th Ave Girl (1939)
A wealthy man hires a poor girl to play his mistress in order to get more attention from his neglectful family.
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Topper Takes a Trip (1938)
Mrs Topper’s friend Mrs Parkhurst has convinced Mrs topper, to file for a divorce from Cosmo, due to the strange circumstances of his trip with ghost Marion Kirby. Marion comes back from heaven’s door to help Cosmo again, this time only with dog Mr. Atlas. Due to a strange behavior of Cosmo, the judge refuses to divorce them, so Mrs Parkhurst takes Mrs Topper on a trip to France, where she tries to arrange the final reasons for the divorce, with help of a gold-digging French baron, Marion takes Cosmo to the same hotel, to bring them back together and to get her own final ticket to heaven, but the whole thing turns out to be not too easy.
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The Milky Way (1936)
Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter’s manager decides to build up the milkman’s reputation in a series of fixed fights and then have the champ beat him to regain his title.
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The Firebird (1934)
Prohibited from seeing her actor sweetheart Herman Brandt (Ricardo Cortez) by her tyrannical parents, sweet young Vienesse lass Mariette (Anita Louise) defies authority by regularly visiting Brandt’s downstairs apartment. The lovers’ signal is a song called “The Firebird,” which Brandt sings whenever he wants Mariette to visit him. When the actor is murdered, poor Mariette and her parents are prime suspects. But the truth is a bit more complicated than that, involving as it does a haughty aristocrat (Veree Teasdale), a powerful diplomat (Lionel Atwill) and a most unusual “candid camera” device.
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Madame Du Barry (1934)
Dolores Del Rio plays 18th-century French courtesan DuBarry like a 20th-century golddigger on the make. Brought to Versailles as the companion of courtier D’Aigullon (Victor Jory), former street waif DuBarry charms her way into the heart — and boudoir — of gouty King Louis XV (Reginald Owen).
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Payment Deferred (1932)
Bank clerk William Marble is desperate for money to pay his family’s bills. When his wealthy nephew visits, Marble asks him for a loan, but the young man refuses. Marble decides to kill his nephew. It is a twisted path to justice after Marble is transformed by the crime he committed and the wealth he gains.
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