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Female Perversions (1996)
An ambitious female attorney wallows in excess and meaningless sex with both male and female partners, while dealing with her personal life problems including helping her kleptomaniac sister.
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Blue (1993)
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman’s experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
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Wittgenstein (1993)
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the nature and limits of language. A series of sketches depict the unfolding of his life from boyhood, through the era of the first World War, to his eventual Cambridge professorship and association with Bertrand Russell and John Maynard Keynes. The emphasis in these sketches is on the exposition of the ideas of Wittgenstein, a homosexual, and an intuitive, moody, proud, and perfectionistic thinker generally regarded as a genius.
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We Need to Talk About Kevin (2011)
The mother of a teenage sociopath who went on a high-school killing spree recalls her son’s deranged behavior during childhood, as she deals with her grief.
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Edward II (1991)
In this Derek Jarman version of Christopher Marlowe’s Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by taking as lover besides his diplomatic wife, the French princess Isabel, not an acceptable lady at court but the ambitious Piers Gaveston, who uses his favor in bed even to wield political influence – the stage is set for a palace revolt which sends the gay pair from the throne to a terminal torture dungeon.
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The Garden (1990)
A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.
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War Requiem (1989)
A film with no spoken dialogue, just follows the music and lyrics of Benjamin Britten’s “War Requiem, which include WWI soldier poet Wilfred Owen’s poems reflecting the war’s horrors. It shows the story of an Englishman soldier (Wilfred Owen) and a nurse (his bride) during World War I. It also includes actual footage of contemporary wars (WWII, Vietnam, Angola, etc.)
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Friendship’s Death (1987)
A robot messenger (Tilda Swinton) is sent to earth to appeal to humans to live in peace. Originally designed to go to MIT, by mistake she ends up in Amman, Jordan during the Black September riots of 1970. Sullivan, a British journalist, (Bill Paterson) comes to her aid when she is found wandering without papers following a bombing and grants her refuge in his hotel room. But there she tells him she is a robot, sent as a peace envoy from another planet. He is not sure whether to believe her story or not, but finds her unusual view of the world appealing. They examine the human condition in a series of incredibly insightful and entertaining conversations.
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Caravaggio (1986)
As influential Italian artist Caravaggio dies in exile in 1610, he recalls his short life, from his childhood to his initial artistic failures to his later triumphs as he catches the eye of a sympathetic cardinal to his destructive relationship with a dashing gambler.
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The Dead Don’t Die (2019)
In a small peaceful town, zombies suddenly rise to terrorize the town. Now three bespectacled police officers and a strange Scottish morgue expert must band together to defeat the undead.
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