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The Goose and the Gander (1935)
When Georgiana Summers (Kay Francis) learns that the woman (Genevieve Tobin) who stole and married her husband is planning a romantic tryst with a new love (George Brent), she hatches a giddy plot to expose the rendezvous and pay her back.
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Out Where the Stars Begin (1938)
A “Broadway Brevity” short from Vitaphone shot in Technicolor that spoofs the Hollywood studio set-up. When the ballerina star of a musical feature walks off in a huff, aided by the fit-throwing director (Fritz Feld), her understudy (Evelyn Thawl) steps in and “a star is born.”
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Alice in Movieland (1940)
In a U.S. town that could be anywhere, 18-year-old Alice Purdee wins a free trip to Hollywood. With the assistance of a cheerful porter, she takes the night train and dreams about her arrival. Instead of instant success, she meets disappointment after disappointment, and she needs the unexpected encouragement of her grandmother and an aging, former star whom she meets at a talent night. Finally she gets a call to be an extra, and she’s so hopeful that the regulars decide to make a fool of her. Is this the end of Alice’s dream? Not if the porter has anything to say about it.
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Ex-Lady (1933)
Although free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.
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She Had to Say Yes (1933)
Stenographers at a department store office are recruited to be “customer girls” who entertain out-of-town buyers. When Loretta Young becomes one of the girls things turn ugly with a customer.
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Mystery of the Wax Museum (1933)
Sculptor Ivan Igor struggles in vain to prevent his partner from burning his wax museum, and his “children”. Years later, Igor starts a new museum in New York, but his maimed hands confine him to directing lesser artists. People begin disappearing; Igor takes a sinister interest in Charlotte, fiancée of his assistant Ralph, but arouses the suspicions of roommate, wisecracking reporter Florence.
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Footlight Parade (1933)
James Cagney stars as a fledgling producer who finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences. Co-starring Joan Blondell and Dick Powell with spectacular Busby Berkeley dance sequences. Inducted into the Library of Congress National Film Registry.
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