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The Naked Kiss (1964)
A former prostitute discovers that her philanthropic fiance is involved in perversion.
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Ladies’ Day (1943)
A top baseball pitcher “loses” his pitching skills whenever he falls in love. His teammates try to get him to settle down with one woman so they can start winning some games.
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Broadway Limited (1941)
A publicity stunt staged on a train known as the Broadway Limited creates problems because of an unknown baby that was part of the stunt.
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The Gorilla (1939)
When an escaped circus gorilla appears to have gone on a murderous rampage, a threatened attorney calls on the detective trio of Garrity, Harrigan and Mullivan to act as bodyguards. In short order, we discover that there is more to the attorney than meets the eye, and the ape may be innocent after all. When a pretty young heiress faces peril, it’s up to our heroic trio to save the day.
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The Cowboy and the Lady (1938)
Mary Smith decides after a lifetime of being a shut-in to do something wild while her father is out campaigning for the presidency, so she takes off for the family’s home in West Palm Beach and inadvertently becomes romantically entangled with earnest cowboy Stretch Willoughby. Neither the dalliance nor the cowboy fit with the upper class image projected by her esteemed father, forcing her to choose.
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Merrily We Live (1938)
Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome “tramp” who shows up at her doorstep and soon ends up in a chauffeur’s uniform. He also catches the eye of her pretty Geraldine.
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Wake Up and Live (1937)
Satire on radio, built around the supposed feud between bandleader Ben Bernie and journalist Walter Winchell.
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Sing, Baby Sing (1936)
The “Caliban-Ariel” romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a “romance” between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers–and who are awarded a final curtain call after the “The End” title, just so the audience won’t forget them (The same device was used to introduce British actor George Sanders in Fox’s Lancer Spy [37]).
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Private Number (1936)
Ellen Neal, a young and inexperienced maid, becomes romantically involved with her employers son which causes various complications. The head butler also has an infatuation for the young girl but his intentions are not that good.
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