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Kaliya Mardan (1919)
The playmates of Krishna are insulted by a female villager who splashes water on them. They take revenge by stealing butter from her house. When they are beaten up by the woman, they again take revenge with the aid of Krishna. He receives a gift of fruit for his help but gives it away. Krishna then enters the room of a wealthy merchant and his wife at night and ties the man’s beard to his wife’s hair. These exploits lead to a large crowd complaining of Krishna’s antics to his foster parents.
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The Unending Flow (1988)
A film about folk dances of India that deals with their broad classification with an assumption that these folk dances are governed by the moods and methods of their own with unlimited capacity to assimilate, improvise and vibrate with vitality.
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Stille Nacht I (1988)
A magnet moves on a floor. A moth beats against a window. A doll child watches the magnet; threads of metal filings gather around the magnet.
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Suspense (1913)
An isolated house in deserted area is too remote for a servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Alone in the house is a mother and her infant. A tramp watches the servant leave, then begins to skulk. The woman sees him outside as he discovers the latchkey. She phones her husband, who’s working in town, and he jumps into a car idling in front of his office. He races toward home while the car’s owner (and the police) are in pursuit. (IMDb)
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The Land Beyond the Sunset (1912)
A poor, young boy goes on a field trip and dreams of escaping to a land beyond the sunset.
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Santa Claus (1898)
Santa arrives at a house on Christmas Eve to deliver his presents for the children.
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Annabelle Butterfly Dance (1894)
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.
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Synchronize (2012)
Synchronize is a tribute to the powerful effect movies can have on our imagination. This short film takes the viewer through the dream of a video store clerk whose vision is formed by the movies he sees and hears.
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An Unseen Enemy (1912)
The physician’s death orphans his two adolescent daughters. Their older brother is able to convert some of the doctor’s small estate to cash. But it is late in the day, and with the banks closed he stores the money in his father’s household safe. The slatternly housekeeper, aware of the money, enlists a criminal acquaintance to crack the safe. She attempts to get into the adjacent room where the sisters tremble in fear, but finds that the door is locked. The drunken housekeeper menaces them by brandishing a gun through a hole in the wall.
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Manhatta (1921)
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city’s upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor… The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
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