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Universal Horror (1998)
Universal Horror is a documentary about the era of classic monster movies that were made at Universal Studios during the 1930’s and 1940’s.
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Hush (1998)
Jackson and Helen are in love and about to have their first child when they move in with Jackson’s mother, Martha, in order to take care of the family estate. But all is not well in this household. Martha is jealous of her son’s affection for Helen, and, despite her Southern smile, she’s starting to act strangely. As Helen tries to create a happy home life, Martha attempts to divide the family so that Jackson will become hers alone.
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Jennifer (1978)
Ostracized at a snooty private school because of her rural, poor background, a scholarship student is tormented to the point where her only remaining recourse is revenge, using the only method she knows: her psychic control over snakes!
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Such Good Friends (1971)
Otto Preminger directs this comedy-drama based upon the novel by Lois Gould and adapted by Elaine May (under the pseudonym Esther Dale). Julie Messinger (Dyan Cannon) is an intense woman who hides her wild emotions and desires under her conventional facade. Her husband Richard (Laurence Luckinbill) checks into the hospital for a simple mole removal that goes seriously wrong. The stellar cast includes James Coco, Jennifer O’Neill, Ken Howard, Louise Lasser, Nina Foch, Sam Levine, Doris Roberts and Burgess Meredith.
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Cash McCall (1960)
Cash McCall is a 1960 movie starring James Garner and Natalie Wood, based upon the novel of the same name by Cameron Hawley about a man who buys businesses in order to sell them at a profit. Recognized by critics as decades ahead of its time in numerous ways, especially its hardcore depiction of business dealings, the innovative film was directed by Joseph Pevney from a screenplay by Lenore J. Coffee and Marion Hargrove.
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Illegal (1955)
A hugely successful DA goes into private practice after sending a man to the chair — only to find out later he was innocent. Now the drunken attorney only seems to represent criminals and low lifes.
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The Kill (1952)
A woman is wrongly accused of murder. Her husband is being blackmailed by an ex-girlfriend who is still in love with him and has the motive to set-up his wife.
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