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Nègres Ashantis: Toilette d'un negrillon II (1897)
Nègres Ashantis: Toilette d’un negrillon II (1897)
$25.00A woman from the Ashanti tribe bathes her child in a shallow bowl.
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Washington, le président McKinley adressant son message (1897)
Washington, le président McKinley adressant son message (1897)
$25.00A crowd of spectators listen to President William McKinley’s speech during his inauguration ceremony outside the U.S. Capitol in Washington, D.C.
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Boxeurs en tonneaux (1897)
$25.00Two boxers climb into barrels and proceed to pummel each other in this novelty film from the Lumières.
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The Pyramids (Overview) (1897)
$25.00A view of the Great Sphinx with two of Giza’s pyramids in the background. A caravan passes the scene.
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Stockholm, entrée de l’exposition (1897)
$25.00A view of the entrance to the Stockholmsutställlningen, the World Exhibition in Stockholm.
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Bonne d’enfants et soldat (1897)
$25.00A maid is out walking with her young charge when a soldier takes the boy’s place.
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Moulin à homme pour l'arrosage des rizières (1899)
Moulin à homme pour l’arrosage des rizières (1899)
$25.00A man demonstrates a human-powered water wheel that irrigates a rice field.
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Danse de l’éventail (1905)
$25.00This is the last film produced by the Lumiere Brothers, a variation on the Butterfly Dance recorded by several companies, released in hand-colored or stenciled versions, some as early as 1894 and Lubin’s Argentine version coming out a couple of years earlier.
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Tables Turned on the Gardener (1895)
$25.00A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener’s face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.
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