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The Bullet Machine (1970)
Harry Clegg is an ex policeman who fights dirty, his mission to track down a crazed prostitute responsible for a string of murders.
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Permissive (1970)
When Suzy arrives in London to visit an old school friend, she is unwittingly plunged into the ruthless world of the ‘groupie’. Fuelled by sex, drugs and jealousy, her new lifestyle fosters in her a cold, cynical instinct for survival. But tragedy is never far away. With its effective blend of gritty location work, brooding flash-forward devices, and a soundtrack by cult acid folk and prog rock legends Comus, Forever More – who also star – and Titus Groan, Permissive is a dark British counter-cultural artefact that’s shot through with grim authenticity. As a bonus, this release also includes Stanley Long’s ultra-rare Bread, a film which, whilst exploring the same cultural milieu as Permissive (and featuring its own bona fide cult British rock band, Juicy Lucy), takes a somewhat more lighthearted approach to its subject.
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Curse Of The Voodoo (1965)
In Africa, a hunter kills a great lion. The animal turns out to be sacred to a local tribe of voodoo worshipers, and when the hunter returns to England, he finds himself seeing strange apparitions involving the lion and murderous jungle warriors.
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The Fast Kill (1972)
A successful robbery goes sour when six criminals attempt to divvy up the fruits of their labour.
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Big Zapper (1973)
A female private detective, Harriet Zapper, is hired by a rich old man to find his missing children, and becomes involved in counterfeiting and murder.
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Spy Story (1976)
A nuclear war specialist returns from a mission gathering data on Soviet communications and electronic warfare techniques in the Arctic Ocean to find that his flat has been broken into and mysteriously re-decorated.
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Night After Night After Night (1969)
There’s a killer on the loose in London, and whilst our typically craggy copper DI Rowan investigates, Judge Lomax is busy in court, dishing out harsh sentences to everyone who comes before him.
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The Million Eyes of Sumuru (1967)
Frankie Avalon and George Nader (that guy from “The Robot Monster”) are a couple of wise-cracking, swingin’ secret agents. Their enemy is Shirley Eaton as Su-Muru, who plans to remove all of the men who are currently in power and replace them with her army of women.
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