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The Maestro: King of the Cowboy Artists (1994)
The Maestro: King of the Cowboy Artists (1994)
$15.00What happens when a dedicated husband and father quits his job, adopts the persona of a Western-Movie Singing Cowboy, takes on the entire art establishment (including Christo and Andy Warhol), and refuses to accept money for his art ? Meet Gerry Gaxiola, AKA The Maestro, an ex-wage slave who gave up everything to make art for art’s sake. The Maestro’s story could inspire a whole new generation of Van Goghs.
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Garlic Is as Good as Ten Mothers (1980)
$15.00A zesty paean of praise to the greater glories of garlic. This lip-smacking foray into the history, consumption, cultivation and culinary/curative powers of the stinking rose features chef Alice Waters of Chez Panisse, and a flavorful musical soundtrack.
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Spend It All (1971)
$15.00Another short documentary of “Real Food, Roots Music, and People Full of Passion for what they do,” Spend It All is Les Blank’s spirited look at the French-speaking Cajun community of southwest Louisiana.
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How To Smell A Rose: A Visit with Ricky Leacock at his Farm in Normandy (2014)
How To Smell A Rose: A Visit with Ricky Leacock at his Farm in Normandy (2014)
$15.00In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2011) at his farm in Normandy, France and recorded conversations with him about his life, his work, and his other passion: cooking! With the flair of a seasoned raconteur, Leacock recounts key moments in his seventy years as a filmmaker and the innovations that he, D.A. Pennebaker, Albert Maysles and others invented that revolutionized documentary filmmaking, and explores the mystery of creativity. With the passing of both Blank and Leacock, the documentary is a moving insight into the lives of two seminal figures in the history of film.
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The Sun’s Gonna Shine (1969)
$25.00A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living.
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Burden of Dreams (1982)
$25.00For nearly five years, acclaimed German filmmaker Werner Herzog desperately tried to complete one of the most ambitious and difficult films of his career, Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog’s determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of native Indians to pull a full-size, 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema’s most fearless directors.
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