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My Name Is Joe (1998)
Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in the one of the toughest Glasgow neighbourhoods.
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Route Irish (2011)
A private security contractor in Iraq rejects the official explanation of his friend’s death and decides to investigate.
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Raining Stones (1993)
This Ken Loach film tells the story of a man devoted to his family and his religion. Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her First Communion. His stubbornness and determination get him into trouble as he turns to more and more questionable measures, in his desperation to raise the needed money. This tragic flaw leads him to risk all that he loves and values, his beloved family, indeed even his immortal soul and salvation, in blind pursuit of that goal.
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Riff-Raff (1991)
The story of Stevie, a construction worker, and his girlfriend, an unemployed pop singer, serves to show the living conditions of the British poor class
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Hidden Agenda (1990)
In Ireland, American lawyer Ingrid Jessner and her activist partner, Paul Sullivan, struggle to uncover atrocities committed by the British government against the Northern Irish during the “Troubles.” But when Sullivan is assassinated in the streets, Jessner teams up with Peter Kerrigan, a British investigator acting against the will of his own government, and struggles to uncover a conspiracy that may even implicate one of Kerrigan’s colleagues.
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The Angels’ Share (2012)
Narrowly avoiding jail, new dad Robbie vows to turn over a new leaf. A visit to a whisky distillery inspires him and his mates to seek a way out of their hopeless lives.
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Ken Loach in Conversation with Cillian Murphy (2015)
Actor Cillian Murphy, who played the lead role in Ken Loach’s Palme d’Or-winning film The Wind That Shakes the Barley, talks to the director at the BFI Southbank about a prolific career dedicated to documenting social and political injustice, the importance of artistic collaboration, the often-overlooked humour in Loach’s films, and the impact working with Loach had on his own approach to acting.
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Fatherland (1986)
Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who -just like him – left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him…
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Looks and Smiles (1981)
Thatcherism and the Irish troubles provide the backdrop for this study of Mick, a well-meaning youth in Sheffield, who has, unlike Dickens’ Pip, no expectations. Mick lives with his parents, works on his motorbike, looks for work, and every two weeks gets his check from the dole. There are no jobs. His best mate Alan joins the army to fix tanks and is sent to Belfast to quell Catholics. At a disco, Mick meets Karen, who works at a shoe shop and lives with her recently-separated mom. Karen misses her dad. She offers Mick emotional stability and a route to adulthood; Alan pitches the army. Does Mick have a future?