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John Meade’s Woman (1937)
“Teddy” Connor, a woman recently orphaned, leaves her uncle’s Midwestern farm for Chicago, where she meets “lumber king” John Meade. John takes her in for a hot meal and sends her roses the next day. John is engaged to penniless society beauty Caroline Haig, who is in love with Rodney Bentley and is marrying John for his money. A jovial millionaire without a conscience, John orders his long-time employee, Tim Mathews, to report to Chicago from the lumber mills and announces he is leaving the lumber business for wheat. Although Tim insists they reforest their lumber lands, John ignores his plea. For laughs, John invites Teddy and Tim to his engagement party at Caroline’s wealthy friend’s estate. Teddy, realizing John is engaged to a woman who does not love him, drowns her tears in liquor and embarrasses Caroline.
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The Rear Gunner (1943)
Documentary-style drama on training of aerial rear gunners in World War II. Private PeeWee Williams, a Kansas farm boy, transforms his home-grown shooting skills into those necessary to an aerial gunner in the tail turret of an American bomber.
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Flight Lieutenant (1942)
A disgraced pilot determines to regain the respect of both his son, now a test pilot for the Army, and the men he once flew with.
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Joe Smith, American (1942)
Joe Smith is an ordinary American family man who works in an aircraft factory. Shortly after being a promoted to a much higher position, Joe is kidnapped by enemy agents who are determined to get military secrets out of him by any means possible. Will Joe keep quiet or betray his country…
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Strange Alibi (1941)
An undercover cop finds himself on the wrong side of the law when the mob discovers his true identity.
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Blondie
Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family. Camping on the porch of the Poor House would become the most-used prevalent plot line in the 27 series-films that followed. It was also an issue in the comic-strip for about a year after its inception when it was basically a continuity strip but, aside from Dagwood’s inability to coax a pay-raise from Mr. Dithers over the years, the financial status of the family was seldom an issue when the format switched to a gag-a-day strip.
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