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RR (2007)
$15.00Looping, chugging and barreling by, the trains in Benning’s latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower’s military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives’ varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning’s declaration that this will be his last work in 16mm film.
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Double Play: James Benning and Richard Linklater (2013)
Double Play: James Benning and Richard Linklater (2013)
$15.00In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
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Signs (Original)
$17.99signs is a sobering continuation of Benning’s career-long interest with the written word as image, text as vision: a silent parade of stills showing dozens of cardboard signs asking for money, food, and kindness.
This is 100% Genuine product.
Region: 2
Important: A lot of DVD players around now are region free – which play any DVD region. It completely depends on what DVD player you have.
We actually have a number of regular customers based in the US, Canada and Australia who never have problems with our region 2 discs. -
casting a glance (2007)
$15.00Casting a Glance is a tribute to the American artist Robert Smithson. Between May 15 2005 and January 14 2007, I made 16 trips to the Spiral Jetty. Created in 1970, the Jetty is a 1,500-foot long spiral-shaped jetty extending into the Great Salt Lake in Utah constructed from rocks, earth, salt and red algae.
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Fire & Rain (2009)
$15.00How do you make something last just a minute that actually takes ten times as long? You boil it down. “I took the steel rolling process that takes about 10 minutes”, James Benning writes about Fire & Rain, “and condensed it down to one minute by cutting out portions and hiding the ellipses in time with dissolves”.
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small roads (2011)
$15.00Lengthy static shots of various backroads, smaller interstates, quieter roads, and lonely highways.
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Stemple Pass (2012)
$15.00Investigating another, deeply troubling facet of rugged American individualism, James Benning gives us four landscape shots containing a painstakingly constructed replica of Unabomber Ted Kaczynski’s cabin, one shot per season. On the soundtrack, Benning himself reads extracts from Kaczynski’s journals from the early 1970s, recording his progress at hunting and gathering, and his connection to the Montana wilderness; a hand-written folded sheet of paper detailing his acts of “monkey wrenching” and first attempts at planting bombs; two notebooks written in numerical code in 1985 and decoded by Benning in 2011; two excepts from Industrial Society and Its Future by “FC” (aka the Unabomber Manifesto) as published in its entirety (35,000 words) in The New York Times and The Washington Post in 1995; and a 2001 interview with Kaczynski by J. Alienus Rychalski, special correspondent for the Blackfoot Valley Dispatch.
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Ruhr (2009)
$15.00James Benning’s worrying and also reassuring vision of the Ruhr Valley, shot in six fascinating takes of a tunnel, a forest, a factory, a mosque, graffiti and a chimney.
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