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Marie Galante (1934)
Marie is kidnapped and taken aboard ship, then thrown off at Yucatan. She winds up singing in a cafe in the Panama Canal zone. There she gets involved in a plot to destroy the canal and runs into American intelligence officer Crawbett.
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Applause (1930)
This early example of the “backstage” musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in Mom’s footsteps.
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Glorifying the American Girl (1929)
The plot involves a young woman (Mary Eaton) who wants to be in the Follies, but in the meantime is making ends meet by working at a department store’s sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend (Edward Crandall), who is in love with her, despite her single-minded interest in her career. When a vaudeville performer (Dan Healy) asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.
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Show Boat (1936)
Despite her mother’s objections, the naive young daughter of a show boat captain is thrust into the limelight as the company’s new leading lady.
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